A work in constant progress (and occasional regress).
Kahlil Davis, known professionally as Kahlil Joseph, is an American filmmaker, music video director and video artist. Joseph is known for creating "intellectually and emotionally dense short films" that center on the experience of African Americans in the United States.
Director:
2012 The Mirror Between Us
2013 Until the Quiet Comes
2013 Wildcat
2014 m.A.A.d
2015 Arcade Fire - The Reflektor Tapes
2016 Alice™️ (you don't have to think about it)
2016 Lemonade
2017 Arcade Fire: Live at Earl's Court
2017 Black Mary
2017 Sampha: Process
2018 BLKNWS
2018 Fly Paper
2023 Circus Maximus
???? BLKNWS: Terms and Conditions
Editor:
2012 The Mirror Between Us
2013 Until the Quiet Comes
2013 Wildcat
2014 Dreams Are Colder Than Death
2014 m.A.A.d
2015 Arcade Fire - The Reflektor Tapes
2016 Alice™️ (you don't have to think about it)
2016 Lemonade
2017 Arcade Fire: Live at Earl's Court
2017 Black Mary
2017 Sampha: Process
2018 BLKNWS
2018 Fly Paper
2023 Circus Maximus
???? BLKNWS: Terms and Conditions
Screenplay:
2012 The Mirror Between Us
2013 Until the Quiet Comes
2013 Wildcat
2014 Dreams Are Colder Than Death
2014 m.A.A.d
2015 Arcade Fire - The Reflektor Tapes
2016 Alice™️ (you don't have to think about it)
2016 Lemonade
2017 Arcade Fire: Live at Earl's Court
2017 Black Mary
2017 Sampha: Process
2018 BLKNWS
2018 Fly Paper
2023 Circus Maximus
???? BLKNWS: Terms and Conditions
Writer:
2012 The Mirror Between Us
2013 Until the Quiet Comes
2013 Wildcat
2014 Dreams Are Colder Than Death
2014 m.A.A.d
2015 Arcade Fire - The Reflektor Tapes
2016 Alice™️ (you don't have to think about it)
2016 Lemonade
2017 Arcade Fire: Live at Earl's Court
2017 Black Mary
2017 Sampha: Process
2018 BLKNWS
2018 Fly Paper
2023 Circus Maximus
???? BLKNWS: Terms and Conditions
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.