A work in constant progress (and occasional regress).
Alias:
Guigo
Birthplace:
São Paulo, Brazil
Born:
August 30, 1994
Guilherme Candido is a director and editor in the audiovisual market. Co-founder of the LGBTQIA+ collective Gleba do Pêssego, that seeks for diversity in front and behind the cameras. Director and writer of shot films, videoclipes and advertising films, Guilherme believes in the audiovisual as a tool of social development and has beens merging several languages in his films, creating plural universes and scenarios to be achieved.
Assistant Director:
2018 Negritudes Brasileiras
Director:
2015 Translúcidos
2017 Menarche
2018 Negritudes Brasileiras
Editor:
2015 Translúcidos
2017 Menarche
2018 Negritudes Brasileiras
2019 Bonde
Writer:
2015 Translúcidos
2017 Menarche
2018 Negritudes Brasileiras
2019 Bonde
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.