A work in constant progress (and occasional regress).
Alias:
Fahri Ogün Yardim
Fahri Yardim
Birthplace:
Hamburg, Germany
Born:
January 1, 1980
Fahri Yardim was born in Hamburg, Germany, the son of an academic family of Turkish extraction. Performing on stage in school productions he developed his love of acting. He trained at the Hamburger Bühnenstudio der darstellenden Künste (Hamburg Stage Studio of the Performing Arts) and appeared in theatre productions in Berlin and Hamburg. Fahri represents a generation that focuses on character rather than nationality. He is a naturalist who avoids ethnic stereotype, and his versatility is mirrored in his choice of roles: He portrayed an Anatolian in Almanya - Willkommen in Deutschland (2011), a Greek in Kebab Connection (2004), a German Sinte in Chiko(2008), a German in Mogadischu (2008), and a woman in Unter Frauen (2012). His most memorable roles include the Brunswick-set film 66/67 - Fairplay war gestern(2009). 2012 proved to be a peak year allowing him to demonstrate the range of his talent and his powerful, committed, discursive and nuanced personality. He played a priest in Marcus H. Rosenmüller's Wer's glaubt, wird selig (2012), an artist in Marc Rothemund's Mann tut was Mann kann (2012), a paramedic in Lars Becker's ZDF thrillerDie Geisterfahrer (2012), a doctor in the ProSieben crime drama Kreutzer kommt ... ins Krankenhaus (2012) and a detective in the Sat.1 thriller drama Hannah Mangold & Lucy Palm (2011). In 2013 he will appear with Ben Kingsley in the international movie version of Der Medicus (2013). In Austria he is a regular in the ORF police drama CopStories. And in March of 2013 he was Til Schweiger's partner in the first of several projected Tatort (1970) episodes.
Executive Producer:
2022 Land of Dreams
Producer:
2021 Curveball
2022 Axiom
2022 Land of Dreams
2023 Shock
Producer:
2024 The Signal
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.