A work in constant progress (and occasional regress).
Lindsay McIntyre is a film artist whose works are often processed-based, involve documentary and experimental techniques, and she even makes her own 16mm film with handmade silver gelatin emulsion. She applies her interest in film chemistry, analog technologies, and structure to make award-winning short 16mm films and expanded cinema performances.
Additional Photography:
2020 Jesse Jams
Assistant Director of Photography:
2019 At the Bottom of the Sea
2020 Jesse Jams
Director:
2003 How to Make a Phantastik Film
2007 what she would not leave behind.
2008 though she never spoke, this is where her voice would have been.
2010 Barge Dirge
2011 her silent life.
2012 all-around junior male
2012 where she stood in the first place.
2013 bernard gaspé
2015 In the Backyarden
2015 Trash Heaven
2017 Room 11a, Ortona Armoury
2019 At the Bottom of the Sea
2020 Jesse Jams
2020 Seeing Her
2020 Stand By
2022 Worth More Standing
2023 The South Wind
Director of Photography:
2003 How to Make a Phantastik Film
2007 what she would not leave behind.
2008 though she never spoke, this is where her voice would have been.
2010 Barge Dirge
2011 her silent life.
2012 all-around junior male
2012 where she stood in the first place.
2013 bernard gaspé
2015 In the Backyarden
2015 Trash Heaven
2017 Room 11a, Ortona Armoury
2019 At the Bottom of the Sea
2019 Lake
2020 Jesse Jams
2020 Seeing Her
2020 Stand By
2021 Ste. Anne
2022 Worth More Standing
2023 The South Wind
Editor:
2003 How to Make a Phantastik Film
2007 what she would not leave behind.
2008 though she never spoke, this is where her voice would have been.
2010 Barge Dirge
2011 her silent life.
2012 all-around junior male
2012 where she stood in the first place.
2013 bernard gaspé
2015 In the Backyarden
2015 Trash Heaven
2017 Room 11a, Ortona Armoury
2019 At the Bottom of the Sea
2019 Lake
2020 Jesse Jams
2020 Seeing Her
2020 Stand By
2021 Ste. Anne
2022 Worth More Standing
2023 The South Wind
Production Design:
2003 How to Make a Phantastik Film
2007 what she would not leave behind.
2008 though she never spoke, this is where her voice would have been.
2010 Barge Dirge
2011 her silent life.
2012 all-around junior male
2012 where she stood in the first place.
2013 bernard gaspé
2015 A Frosty Affair
2015 In the Backyarden
2015 Trash Heaven
2017 Room 11a, Ortona Armoury
2019 At the Bottom of the Sea
2019 Lake
2020 Jesse Jams
2020 Seeing Her
2020 Stand By
2021 Ste. Anne
2022 Worth More Standing
2023 The South Wind
???? Undertow
Thanks:
2003 How to Make a Phantastik Film
2007 what she would not leave behind.
2008 though she never spoke, this is where her voice would have been.
2010 Barge Dirge
2011 her silent life.
2012 all-around junior male
2012 where she stood in the first place.
2013 bernard gaspé
2015 A Frosty Affair
2015 In the Backyarden
2015 Trash Heaven
2017 Room 11a, Ortona Armoury
2019 At the Bottom of the Sea
2019 Lake
2019 Last Laugh
2020 Jesse Jams
2020 Seeing Her
2020 Stand By
2021 Ste. Anne
2022 Worth More Standing
2023 The South Wind
???? Undertow
Writer:
2003 How to Make a Phantastik Film
2007 what she would not leave behind.
2008 though she never spoke, this is where her voice would have been.
2010 Barge Dirge
2011 her silent life.
2012 all-around junior male
2012 where she stood in the first place.
2013 bernard gaspé
2015 A Frosty Affair
2015 In the Backyarden
2015 Trash Heaven
2017 Room 11a, Ortona Armoury
2019 At the Bottom of the Sea
2019 Lake
2019 Last Laugh
2020 Jesse Jams
2020 Seeing Her
2020 Stand By
2021 Ste. Anne
2022 Worth More Standing
2023 The South Wind
???? Undertow
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.