Lindsay McIntyre

Lindsay McIntyre is a film artist whose works are often processed-based, involve documentary and experimental techniques, and she even makes her own 16mm film with handmade silver gelatin emulsion. She applies her interest in film chemistry, analog technologies, and structure to make award-winning short 16mm films and expanded cinema performances.

Additional information:

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Additional Photography:
2020  Jesse Jams

Assistant Director of Photography:
2019  At the Bottom of the Sea
2020  Jesse Jams

Director:
2003  How to Make a Phantastik Film
2007  what she would not leave behind.
2008  though she never spoke, this is where her voice would have been.
2010  Barge Dirge
2011  her silent life.
2012  all-around junior male
2012  where she stood in the first place.
2013  bernard gaspé
2015  In the Backyarden
2015  Trash Heaven
2017  Room 11a, Ortona Armoury
2019  At the Bottom of the Sea
2020  Jesse Jams
2020  Seeing Her
2020  Stand By
2022  Worth More Standing
2023  The South Wind

Director of Photography:
2003  How to Make a Phantastik Film
2007  what she would not leave behind.
2008  though she never spoke, this is where her voice would have been.
2010  Barge Dirge
2011  her silent life.
2012  all-around junior male
2012  where she stood in the first place.
2013  bernard gaspé
2015  In the Backyarden
2015  Trash Heaven
2017  Room 11a, Ortona Armoury
2019  At the Bottom of the Sea
2019  Lake
2020  Jesse Jams
2020  Seeing Her
2020  Stand By
2021  Ste. Anne
2022  Worth More Standing
2023  The South Wind

Editor:
2003  How to Make a Phantastik Film
2007  what she would not leave behind.
2008  though she never spoke, this is where her voice would have been.
2010  Barge Dirge
2011  her silent life.
2012  all-around junior male
2012  where she stood in the first place.
2013  bernard gaspé
2015  In the Backyarden
2015  Trash Heaven
2017  Room 11a, Ortona Armoury
2019  At the Bottom of the Sea
2019  Lake
2020  Jesse Jams
2020  Seeing Her
2020  Stand By
2021  Ste. Anne
2022  Worth More Standing
2023  The South Wind

Production Design:
2003  How to Make a Phantastik Film
2007  what she would not leave behind.
2008  though she never spoke, this is where her voice would have been.
2010  Barge Dirge
2011  her silent life.
2012  all-around junior male
2012  where she stood in the first place.
2013  bernard gaspé
2015  A Frosty Affair
2015  In the Backyarden
2015  Trash Heaven
2017  Room 11a, Ortona Armoury
2019  At the Bottom of the Sea
2019  Lake
2020  Jesse Jams
2020  Seeing Her
2020  Stand By
2021  Ste. Anne
2022  Worth More Standing
2023  The South Wind
????  Undertow

Thanks:
2003  How to Make a Phantastik Film
2007  what she would not leave behind.
2008  though she never spoke, this is where her voice would have been.
2010  Barge Dirge
2011  her silent life.
2012  all-around junior male
2012  where she stood in the first place.
2013  bernard gaspé
2015  A Frosty Affair
2015  In the Backyarden
2015  Trash Heaven
2017  Room 11a, Ortona Armoury
2019  At the Bottom of the Sea
2019  Lake
2019  Last Laugh
2020  Jesse Jams
2020  Seeing Her
2020  Stand By
2021  Ste. Anne
2022  Worth More Standing
2023  The South Wind
????  Undertow

Writer:
2003  How to Make a Phantastik Film
2007  what she would not leave behind.
2008  though she never spoke, this is where her voice would have been.
2010  Barge Dirge
2011  her silent life.
2012  all-around junior male
2012  where she stood in the first place.
2013  bernard gaspé
2015  A Frosty Affair
2015  In the Backyarden
2015  Trash Heaven
2017  Room 11a, Ortona Armoury
2019  At the Bottom of the Sea
2019  Lake
2019  Last Laugh
2020  Jesse Jams
2020  Seeing Her
2020  Stand By
2021  Ste. Anne
2022  Worth More Standing
2023  The South Wind
????  Undertow

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.