A work in constant progress (and occasional regress).
Alias:
Nahida Orucova
Наида Оруджева
Birthplace:
Baku, USSR [now Azerbaijan]
Born:
July 18, 1961
Orujova Nahida daughter of Maluk was born on July 18, 1961 in Baku. In 1984 she graduated from the Dramatic-Acting faculty of the Azerbaijan State Art Institute. She worked for Sumgait State Drama Theater for a while. During this time there she participated in a number of performances. In 1993, she was assigned to the soloist-vocalist at the Musical Comedy Theater named after Sh. Gurbanov. She played at "Lost Husband” as "Isabella” by Javanshir Guliyev, Ali Amirli, "Lover with Volga” as "Shalala Khanum” by A. Gudrat, Ramiz Mustafayev, "Banker Fiancé” as "Samaya Khanum” by Emin Sabitoghlu, Tamara Valiyeva, ”Caliphate for an hour” as "Sakina Khanum” by Rashid Shafag, Abdulla Shaig, "Keep your hands in your pocket” as "Gulshad Khanum” by Ogtay Rajabov, Agshin Babayev, "Aunt Masma in my uncle” as "Secretary” by Ramiz Musafayev, Jahangir Mammadov, "Good-bye” as "Lale” by Emin Sabitoghlu, Rufat Ahmadzade, "My Cheerful Heart” as "Gamar Khanum” by Emin Sabitoghlu, Khalida Hasilova, "Gold Wedding” as "Zuzu Khanum” by Ogtay Kazimi, Ramiz Heydar, "It is our matter” as "Naila Khanum” by Suleyman Alasgarov, Shikhali Gurbanov, "Husband and Wife” as " Minnat Khanum” by Uzeyir Hajibayli, "Have Bachelors” as "Chichak Khanum” by Suleyman Alasgarov, Isi Malikzade, "If you get you share call your uncle” as "Nazli Gamzali” by Vasif Adigozalov, Anar, "Beggar son of millionaire Father” as "Polite woman and Malak” by Suleyman Alasgarov, Shikhali Gurbanov, "If not that one, then this one” as "Sanam” by Uzeyir Hajibayli, "Jealous Hearts” as "Natella” by Ramiz Mirishli, Marat Hagverdiyev, "Whereas I am old, I am worth to thousand young” as "Sevda” by Faig Sujaddinov, Tamara Valiyeva, "Love Game” as "Gulcahan” by Javanshir Guliyev, Geybulla Rasulov, "When fates come together” as "Nazpari” by Gulcahan, Rauf Hajiyev, "Gypsy Band Leader” as "Countess Irini” by E.Kalman, "Arshin Mal Alan” as "Aunt Jahan” by U.Hajibayli, "Khanuma” as "Tekele” by Viktor Dolidze, Akvsenti Saqarelli. The actress also starred in the several movies. She was "Music Teacher” in "Asif, Vasif and Aghasif” (1983), "Servant” in "Separation” (2008) , "Doctor” in "We will return” (2007), "Plaintiff” in "Special Situation” (1986), "Rubabe” in "Protect men” (2006), "Sadagat” in "Maiden Tower” (2000) and "Girls” (2007), "Saleswoman” in "Moscow-Baku train" (2005), "Asim Aliyevich's wife” in "How beautiful this world is..” (1999), "The woman in the bar” in "Light in the window" (film-show), "Yenga” in "Spasiobo” (1998), "Sabina's mother” in "Top Secret” (2004), "Greta” in "Burned bridges" (2003), "Housemaid Kubra” in "Cargo" (1995), "Husniyya” in "Homeland” (1997). N. Orujova was awarded the Honored Artist in 2012. The actress is also rewarded with Presidential Pension.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.