A work in constant progress (and occasional regress).
Tammy Cheung was born in Shanghai in 1958 and moved to Hong Kong at an early age. She studied sociology in Hong Kong and film studies at Montreal’s Concordia University. In 1986, she founded the Chinese International Film Festival in Montreal, showcasing films made by Chinese film‐makers and films with Chinese content, and was director of the Festival from 1986 and 1992. She made her directorial debut in 1999 and together with her collaborator and cinematographer Augustine Lam she founded Reality Film Productions in Hong Kong in 2002, a production company that produces and distributes social documentaries. Her works include Invisible Women (1999), Secondary School (2002), Rice Distribution (2002), Moving (2003), War (2003), July (2004), Speaking up (2005); Village Middle School (2006) and Speaking up 2 (2007). Rice Distribution won the Grand Prize and Open category Gold Award at the 2002 Hong Kong Independent Short Film & Video Awards 2002. Her films utilize the observational approach characteristic of American documentarist Frederick Wiseman’s Direct Cinema style. Cheung is an engaging story‐teller, motivated by a wish to critique many of the inadequate social structures in Hong Kong, and to enable viewers to empathize with ordinary people and their aspirations. Tammy Cheung’s work has been presented in film festivals in Amsterdam, Rome, Seoul, Toronto, Hong Kong, Taipei, Singapore and major cities in China.
Director:
1999 Invisible Women
2003 Moving
2003 Rice Distribution
2003 Secondary School
2004 July
2004 July
2005 Speaking Up
2006 Village Middle School
2007 Speaking Up 2
2008 Election
Writer:
1999 Invisible Women
2003 Moving
2003 Rice Distribution
2003 Secondary School
2004 July
2004 July
2005 Speaking Up
2006 Village Middle School
2007 Speaking Up 2
2008 Election
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.