A work in constant progress (and occasional regress).
Lindsay is an award-winning composer combining traditional practices with experimental techniques. Her recent projects include the five-part ITV drama series The Walk-In starring Stephen Graham; thriller series Without Sin for Left Bank Pictures (co-composed with Tawiah) and independent feature Things Unsaid. She also scored the BBC documentaries The Whistleblowers and This Is Joan Collins; as well as HBO's The Mystery of D.B Cooper (with Tim Atack). Upcoming projects include collaborating again with Tawiah on a new BBC comedy/thriller series, Black Ops; four-part documentary series The Assassination of Olof Palme for Sky and Discovery; and ITV/Britbox's drama miniseries Archie starring Jason Isaacs & Harriet Walter. Further work for screen includes additional music for Apple TV's ROAR; Stan Lee's Lucky Man; Sky Atlantic's The Tunnel and feature drama The Aftermath. She was the music editor for series 3-4 of Netflix's flagship series The Crown, resulting in her first Primetime Emmy nomination. She was also the music editor for Amazon Studios' The Feed; Netflix's The Forgotten Battle and ITV's Angela Black, as well as contributing string arrangements for NBC's Law & Order: Organized Crime. In short form media, her music for Mudlarks was nominated for Best Score at the British Short Film Awards and her music for HP's Orchestra campaign won Bronze at the Clio Awards, LIA Awards & Creative Circle Awards, and was a finalist n the 2022 Music and Sound Awards for Best Original Composition in Broadcast Advertising. Lindsay graduated with a First Class BMus (Hons) degree in Music Technology from the Royal Birmingham Conservatoire, and a MA from The National Film and Television School. She began her career as an assistant, additional writer and music editor working with many prolific composers including Martin Phipps, Isobel Waller-Bridge and Ruth Barrett.
Music Programmer:
2016 Crossing The Line
Original Music Composer:
2016 Crossing The Line
2016 Heavy Weight
2018 From Life
2018 Run(a)way Arab
2019 The Bind
2020 Pink & Blue
2020 Sex Moves
2020 The Mystery of D.B. Cooper
2022 The Whistleblowers: Inside the UN
2022 This Is Joan Collins
2022 Three
Original Music Composer:
2022 The Walk-In
2023 Archie: The Man Who Became Cary Grant
2024 Domino Day
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.