A work in constant progress (and occasional regress).
Alias:
Michael Mahoney
Michael Mahoney is a producer with more than forty years industry experience. He began his career in 1971 in the Distribution Department (the library) of the National Film Board of Canada. A year later, he moved into the camera department and for the next twenty-six years he had the opportunity to travel the world working as a camera assistant, DOP, director and ultimately, producer. In 1998 he opened Magic Rock Productions. He has produced more than thirty films, television series, limited television series and feature films.
Additional Photography:
1982 Singlehanders
Assistant Camera:
1976 Empty Harbours, Empty Dreams
1982 Singlehanders
Cinematography:
1976 Empty Harbours, Empty Dreams
1982 Singlehanders
1987 The Rise and Fall of American Business Culture
1988 The Relationship
Director of Photography:
1975 The Brothers Byrne
1976 Empty Harbours, Empty Dreams
1976 Moses Coady
1982 Singlehanders
1987 In Bed with an Elephant
1987 The Rise and Fall of American Business Culture
1988 The Relationship
1994 Taking Stock
Producer:
1975 The Brothers Byrne
1976 Empty Harbours, Empty Dreams
1976 Moses Coady
1982 Singlehanders
1987 In Bed with an Elephant
1987 The Rise and Fall of American Business Culture
1988 The Relationship
1992 Secret Nation
1993 Folk Art Found Me
1993 Thinking Positive
1994 Anchor Zone
1994 Taking Stock
1995 Margaret's Museum
1995 The Battle for Moser River
1996 Bronwen & Yaffa (Moving Towards Tolerance)
1996 Norway's Lofoten Cod Fishery
1999 Why Women Run
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.