A work in constant progress (and occasional regress).
Gary Popovich is a Toronto filmmaker, teacher and writer. His films are personal reflections on cultural history which have screened increasingly in Canada, the United States and Europe, and have sold to collections and to television for broadcast. Popovich has taught several courses in film production, as well as courses in film history and aesthetics at Sheridan College, and has conducted workshops on hand-processing, colour toning, and image manipulation. He has written on film for several film publications, worked as newsletter editor for the Liaison of Independent Filmmakers of Toronto (LIFT), and served on arts boards such as the Canadian Filmmakers’ Distribution Centre, the Euclid Theatre, the Grierson Documentary Seminars and Festival in Toronto, The Images Festival, and Cinema Giovanni in Italy.
Director:
1989 Caress
1989 Elegy
1990 Antigone
1998 Faultlines
2005 Forever
2013 Somewhere
Director of Photography:
1989 Caress
1989 Elegy
1990 Antigone
1998 Faultlines
2005 Forever
2013 Somewhere
Editor:
1989 Caress
1989 Elegy
1990 Antigone
1998 Faultlines
2005 Forever
2013 Somewhere
2016 Random Acts of Legacy
Producer:
1989 Caress
1989 Elegy
1990 Antigone
1998 Faultlines
2005 Forever
2013 Somewhere
2016 Random Acts of Legacy
Sound:
1989 Caress
1989 Elegy
1990 Antigone
1998 Faultlines
2005 Forever
2013 Somewhere
2016 Random Acts of Legacy
Writer:
1989 Caress
1989 Elegy
1990 Antigone
1998 Faultlines
2005 Forever
2013 Somewhere
2016 Random Acts of Legacy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.