Nay Tabbara

Birthplace:
Beirut, Lebanon

Nay Tabbara is a Lebanese filmmaker based between Beirut and New York. For the last 10 years, Nay has immersed herself in the filmmaking world in different departments, learning from notable names in the industry to become a multi-hyphenate filmmaker who writes, directs, edits and produces, amongst many other skills. She holds an MFA in Filmmaking degree from NYU Tisch School of the Arts, where she also teaches Editing within the Graduate Film department.  Born and raised in Beirut, Nay’s stories center around her upbringing, and are inspired by her experience as a Lebanese woman growing up in a largely hybrid society.  Having built a diverse body of work (short and long form, music videos, narrative and documentary…), Nay aspires to create projects that stem from deep inspiration and reflection on her environment. Although not political at first glance, her films always tend to nuance and reflect on socio-political topics and structures. Nay’s work has received international recognition from organizations and festivals such as the Raindance Film Festival, the Sundance Institute, the Doha Film Institute, The Future Of Film is Female, and many others.

Additional information:

The Search Form


Assistant Director:
2017  Maki & Zorro

Co-Producer:
2017  Maki & Zorro
2024  Ebb & Flow

Director:
2017  Maki & Zorro
2020  Frayed Roots
2024  Ebb & Flow

Editor:
2017  Maki & Zorro
2020  Frayed Roots
2024  Ebb & Flow
2024  PUNTER

Writer:
2017  Maki & Zorro
2020  Frayed Roots
2024  Ebb & Flow
2024  PUNTER

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.