A work in constant progress (and occasional regress).
Cinematography:
2016 The 30 Year Deal
2022 Lucid
2024 Napoleonic Code
???? Off Sides
Director of Photography:
2015 Boogeyman Cometh
2016 The 30 Year Deal
2017 Cut to the Chase
2018 Exit Strategy
2019 Chad Gets The AxE
2019 Santa Girl
2019 The In-Between
2020 Class Action Park
2022 #ChadGetsTheAxe
2022 Lucid
2024 Napoleonic Code
???? Off Sides
Editor:
2015 Boogeyman Cometh
2016 The 30 Year Deal
2017 Cut to the Chase
2018 Exit Strategy
2019 Chad Gets The AxE
2019 Santa Girl
2019 The In-Between
2020 Class Action Park
2022 #ChadGetsTheAxe
2022 Lucid
2024 Napoleonic Code
???? Off Sides
Executive Producer:
2015 Boogeyman Cometh
2016 The 30 Year Deal
2017 Cut to the Chase
2018 Exit Strategy
2019 Chad Gets The AxE
2019 Santa Girl
2019 The In-Between
2020 Class Action Park
2022 #ChadGetsTheAxe
2022 Lucid
2024 Better Than Fine
2024 Napoleonic Code
???? Off Sides
Producer:
2015 Boogeyman Cometh
2016 The 30 Year Deal
2017 Cut to the Chase
2018 Exit Strategy
2019 Chad Gets The AxE
2019 Santa Girl
2019 The In-Between
2020 Class Action Park
2022 #ChadGetsTheAxe
2022 Lucid
2024 Better Than Fine
2024 Napoleonic Code
???? Off Sides
Thanks:
2011 Vamperifica
2015 Boogeyman Cometh
2016 The 30 Year Deal
2017 Cut to the Chase
2018 Exit Strategy
2019 Chad Gets The AxE
2019 Santa Girl
2019 The In-Between
2020 Class Action Park
2022 #ChadGetsTheAxe
2022 Lucid
2024 Better Than Fine
2024 Napoleonic Code
???? Off Sides
Writer:
2011 Vamperifica
2015 Boogeyman Cometh
2016 The 30 Year Deal
2017 Cut to the Chase
2018 Exit Strategy
2019 Chad Gets The AxE
2019 Santa Girl
2019 The In-Between
2020 Class Action Park
2022 #ChadGetsTheAxe
2022 Lucid
2024 Better Than Fine
2024 Napoleonic Code
???? Off Sides
Cinematography:
2019 Cricket Fever: Mumbai Indians
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.