A work in constant progress (and occasional regress).
Birthplace:
Texas, USA
Born:
December 26, 1982
Hair Department Head:
2011 Rosewood Lane
2019 Acceleration
2022 Marmalade
Hairstylist:
2011 Rosewood Lane
2019 Acceleration
2022 Marmalade
???? The Two Pamelas
Key Makeup Artist:
2009 Shadowheart
2011 Rosewood Lane
2019 Acceleration
2020 American Pie Presents: Girls' Rules
2022 Marmalade
???? The Two Pamelas
Makeup Artist:
2009 Shadowheart
2011 Rosewood Lane
2016 Seduced
2019 Acceleration
2019 Bombshell
2019 Ford v Ferrari
2020 American Pie Presents: Girls' Rules
2021 Pleasure
2022 Marmalade
2022 Six
???? The Two Pamelas
Makeup Department Head:
2009 Shadowheart
2011 Rosewood Lane
2016 Seduced
2017 The Wrong Man
2019 Acceleration
2019 Bombshell
2019 Ford v Ferrari
2020 American Pie Presents: Girls' Rules
2021 Pleasure
2022 Marmalade
2022 Six
???? The Two Pamelas
Makeup & Hair Assistant:
2013 CAMP
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.