A work in constant progress (and occasional regress).
Born:
January 1, 1994
Rayka Zehtabchi is an Oscar-winning Iranian-American director based in Los Angeles. Her directorial debut, Madaran, is an Iranian language short that won Jury awards at top film festivals and qualified for the 89th Academy Awards in 2016. She won the Oscar for Best Documentary Short at the 91st Academy Awards for Period. End of Sentence., a documentary about a group of village women in Northern India who start a sanitary pad-making business in an effort to improve feminine hygiene and de-stigmatize menstruation. Along with the film’s release, Rayka helped co-found the non-profit “The Pad Project” to fight the stigma of menstruation and improve feminine hygiene worldwide. Rayka’s passion is telling human stories that bring awareness and action to little-known social causes. In both documentary and narrative, she brings a naturalistic approach to her storytelling, striving for honesty and intimacy on screen.
Assistant Director:
2018 Mammoth
Co-Producer:
2016 Madaran
2018 Mammoth
Director:
2016 Madaran
2018 Mammoth
2018 Period. End of Sentence.
2018 We Home
2019 (SHn(y)o͞of)
2020 A Woman's Place
2020 Just Hold On
2020 Ours to Tell
2021 Are You Still There?
2022 Long Line of Ladies
???? They Came From All Over
Executive Producer:
2016 Madaran
2018 Mammoth
2018 Period. End of Sentence.
2018 We Home
2019 (SHn(y)o͞of)
2020 A Woman's Place
2020 Just Hold On
2020 Ours to Tell
2021 Are You Still There?
2022 Long Line of Ladies
2023 The Old Young Crow
???? They Came From All Over
Producer:
2016 Madaran
2018 Mammoth
2018 Period. End of Sentence.
2018 We Home
2019 (SHn(y)o͞of)
2020 A Woman's Place
2020 Just Hold On
2020 Ours to Tell
2021 Are You Still There?
2022 Long Line of Ladies
2023 The Old Young Crow
2023 You Know Where to Find Me
???? They Came From All Over
Writer:
2016 Madaran
2018 Mammoth
2018 Period. End of Sentence.
2018 We Home
2019 (SHn(y)o͞of)
2020 A Woman's Place
2020 Just Hold On
2020 Ours to Tell
2021 Are You Still There?
2022 Long Line of Ladies
2023 The Old Young Crow
2023 You Know Where to Find Me
???? They Came From All Over
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.