A work in constant progress (and occasional regress).
Alexander Mansour is a composer, pianist, and cellist from Los Angeles California. As a composer, Alex is passionate about writing for both the concert hall and the screen. Most recently, he scored an AFI Feature Documentary selection, "Hesburgh" (dir. Patrick Creadon), which just finished its theatrical distribution. His chamber music has been performed at the Bowdoin and Atlantic Music Festivals. He will study and premier a new commission at the Yale School of Music this summer (2020) for the Norfolk New Music Festival. A recent orchestral work (Fantasy Noir) was premiered by USC's Thornton Symphony in February 2020, and a prior orchestral work (Across the Sea) was commissioned and performed by the Notre Dame Symphony Orchestra in 2018. His music for media has been featured on NBC Broadcasts and Netflix original content. Over the years, he has been recognized twice an ASCAP Finalist in the Morton Gould Young Composer Competition and the Herb Alpert Young Jazz Composer Awards. Alex is very grateful to join the USC Thornton School of Music where he studies with Professor Donald Crockett in pursuit of the Masters in Music degree. He previously studied with John Liberatore at the University of Notre Dame, where he double majored in cello performance and film studies. As a pianist, Alex arranged and played for Arturo Sandoval's Christmas album, performing with him at Walt Disney Concert Hall in 2018. He attended the 2019 BANFF International Workshop for Jazz and Creative Music, a program helmed by Vijay Iyer and Tyshawn Sorey and is the pianist of the USC Jazz Honors Combo.. As a cellist, Alex serves as principal of American Youth Symphony, and has joined the New York String Orchestra Seminar for their Christmas concerts at Carnegie Hall. He has also appeared on NPR's "From the Top". He has studied with Katinka Kleijn (CSO) and during an exchange in London, Richard Lester (Royal College of Music).
Music:
2019 Cutioner.exe
2019 Hesburgh
2020 You Missed a Spot
2022 Swept Under
2022 We Are Like Waves
2023 Providence
2024 All Bark Never Bite
2024 Endling
???? Carrie Fisher is Dead
Original Music Composer:
2019 Cutioner.exe
2019 Hesburgh
2020 You Missed a Spot
2021 Kurt Vonnegut: Unstuck in Time
2022 Swept Under
2022 We Are Like Waves
2023 Providence
2024 All Bark Never Bite
2024 Endling
???? Carrie Fisher is Dead
Sound:
2019 Cutioner.exe
2019 Hesburgh
2020 You Missed a Spot
2021 Kurt Vonnegut: Unstuck in Time
2022 Swept Under
2022 We Are Like Waves
2023 Providence
2024 All Bark Never Bite
2024 Endling
???? BOOBA: A Twisted Fairy-Tale
???? Carrie Fisher is Dead
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.