A work in constant progress (and occasional regress).
Birthplace:
Latina, Italy
Alessandro Bavari, an Italian-French artist graduated from the Academy of Fine Arts in Rome, has been attracted to photography, painting and music since he was a child, experimenting over time with different painting techniques and exploring photography as an expressive medium like other disciplines, mixing them together. Considered one of the pioneers of digital art as well as one of the great representatives of contemporary surrealism, over the years he has developed his own digital artistic language, approaching it in 1993 as a further research discipline. In 2011 he won the Golden Nica at the Prix Ars Electronica with "Metachaos", first prize for best animation. It is thanks to this futuristic video that Alessandro in 2017 was contacted by 20th Century Fox as concept artist for the movie "Alien: Covenant”, via direct call from Sir Ridley Scott. He continues to work as an art director in cinema, with directors such as Gabriele Lavia and Luca Guadagnino, as well as a concept artist and art director in the field of videogames. In addition to the Golden Nica, he collects various prizes including the "Digital Hall of Fame Award" at the 3D Festival Awards in Copehagen, the "Photo-realistic images" award at the Adobe “The Power of Design - European Competition” in London, the "2001 International Digital Art Award" in Australia, and again at the Clio Awards, the One Show Awards, the Art Director Club Awards and many others. His works have been published in hundreds of magazines and art books, as well as being a continuous subject of study in universities and institutes around the world. He has exhibited in various galleries and museums such as at the “Salon Art Paris” at the Louvre Museum, at the Guinness Storehouse in Dublin, at the Jyväskylä Art Museum in Finland, at the "State of Digital Art" exhibition at the Devos Art Museum in USA, at the "Digital Hall of Fame" in Stockholm, at the Palace of the Arts in Naples, at the Itabashi Art Museum in Tokyo, at the Mimi and Ian Rolland Art and Visual Communication Center in USA, at FIMA - Festival International Montreal en Arts in Canada, at Kronos Art BCN 2020 in Barcelona, at the DigitalArt Factory in Rome and many others. He also works actively as freelance in the field of ADV, collaborating with agencies such as BBDO, M&C Saatchi, 1861 United, Pentamark, Leagas Delaney, Saatchi & Saatchi, McCann Erickson, Ogilvy & Mather, Armando Testa, Alpha Omega, Doing, The Name, Humans and others, producing campaigns for companies such as Mercedes, Yamaha, Bmw, Husqvarna, Renault, Wolksvagen, Ferrari, Pirelli, Trelleborg, Samsung, Chrysler, Sky TV, Telecom, Enel, Leroy Merlin and many others. A multifaceted artist, he lives in Italy working as a visual artist, painter, photographer, art director and musician. He is currently working with her co-author Sara Aliscioni on the upcoming book entitled "Kill the Covid!", A rural horror photographic mockumentary set in Italy, faithful to his artistic style and his dreamlike and provocative visions.
Animation:
2015 Ludi Florales
Concept Artist:
2015 Ludi Florales
2017 Alien: Covenant
2018 Suspiria
Creative Director:
2015 Ludi Florales
2017 Alien: Covenant
2018 Suspiria
2021 The Man With the Flower in His Mouth
Director:
1999 Headcleaner
2011 Metachaos
2015 Ludi Florales
2017 Alien: Covenant
2017 Arturo
2018 Suspiria
2021 The Man With the Flower in His Mouth
2023 We Love Birds
2024 Spillover
???? The Cold Burning Show
Editor:
1999 Headcleaner
2011 Metachaos
2015 Ludi Florales
2017 Alien: Covenant
2017 Arturo
2018 Suspiria
2021 The Man With the Flower in His Mouth
2023 We Love Birds
2024 Spillover
???? The Cold Burning Show
Writer:
1999 Headcleaner
2011 Metachaos
2015 Ludi Florales
2017 Alien: Covenant
2017 Arturo
2018 Suspiria
2021 The Man With the Flower in His Mouth
2023 We Love Birds
2024 Spillover
???? The Cold Burning Show
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.