A work in constant progress (and occasional regress).
Alias:
Julia Kiseleva
Julia Kiselyeva
Julia Kiselyova
Yulia Igorevna Kiselyova
Yulia Kiseleva
Yulia Kiselyeva
Yulia Kiselyova
Yuliya Kiselyeva
Yuliya Kiselyova
Ю́лия И́горевна Киселева
Ю́лия И́горевна Киселёва
Юлия Игоревна Киселева
Юлия Игоревна Киселёва
Юлия Киселева
Юлия Киселёва
Birthplace:
Asbest, USSR (Russia)
Born:
February 17, 1982
Yuliya Igorevna Kiseleva (Russian: Ю́лия И́горевна Киселёва; born 17 February 1982; Asbest) is a Russian documentary filmmaker. She graduated from the Faculty of Journalism of USU and the directing faculty of VGIK (workshop of non-fiction films by I. A. Grigoriev). He lives in Moscow. The first documentary film "Far from London" — about the playwright Vasily Sigarev — was shot in 2007 at the Yekaterinburg studio "A-film". In 2011 and 2012, she studied screenwriting at Robert McKee's seminars ("Story", "Genres"). He has been making popular science films since 2015. As a director, she has implemented more than 20 original projects, released dozens of television films and programs, many presentation and corporate films and commercials. She worked as a screenwriter, editor and chief editor on TV. He periodically lectures and conducts master classes at various forums and festivals, as well as at universities and film schools. The author's films took part in more than 100 Russian and foreign film festivals (where they received more than 70 prizes and diplomas), were released, were shown on TV (Channel One, Culture, Science, OTR), and posted on 13 online platforms. Winner of the award "For Loyalty to Science" (2022) in the nomination "scientific director of the year". Laureate (2021) and four times finalist (2007, 2012, 2014, 2022) of the Laurel Branch Award in the field of non-fiction films and television. Winner of the TV contest "TEFI-region" (2014). Finalist of the awards "Knowledge" (2021), "Headliner" (2020), twice nominee of the European Academy of Scientific Cinema (2020, 2021). In 2014-2016, he was a teacher at the AURUM Film School. In 2022, he became the artistic director of the "Laboratory of Scientific Cinema", implemented jointly with the FUNK Festival. Since 2022 - co-founder and artistic director of the project "Laboratory of Scientific Cinema 2.0" (together with producer Liliya Sabirova).
Co-Producer:
2019 Brain. Evolution
Co-Writer:
2017 Brain. Second Universe
2019 Brain. Evolution
Director:
2005 Stars and Thorns
2006 Polina
2007 Far Away From London
2008 Sunny Day
2009 In Motion
2009 Tied Up, Strapped in, Happy
2012 Moviemaker
2012 Wide Embraces
2013 About Hippocratic Oath
2013 To Raise Champions
2014 By Profession: Oilman
2014 Childhood by the River
2015 Independent
2015 Landlord
2016 Depth 1080
2017 Bakurov
2017 Brain. Second Universe
2019 Brain. Evolution
2021 Do I Love You, Robot, Do I
2022 Chip Inside Me
2022 Flashes of Light
2023 Just Life
2024 How Ivan Pigarev Studied Sleep
Editor:
2005 Stars and Thorns
2006 Polina
2007 Far Away From London
2008 Sunny Day
2009 In Motion
2009 Tied Up, Strapped in, Happy
2012 Moviemaker
2012 Wide Embraces
2013 About Hippocratic Oath
2013 To Raise Champions
2014 By Profession: Oilman
2014 Childhood by the River
2015 Independent
2015 Landlord
2016 Depth 1080
2017 Bakurov
2017 Brain. Second Universe
2019 Brain. Evolution
2021 Do I Love You, Robot, Do I
2022 Chip Inside Me
2022 Flashes of Light
2023 Just Life
2024 How Ivan Pigarev Studied Sleep
Executive Producer:
2005 Stars and Thorns
2006 Polina
2007 Far Away From London
2008 Sunny Day
2009 In Motion
2009 Tied Up, Strapped in, Happy
2012 Moviemaker
2012 Wide Embraces
2013 About Hippocratic Oath
2013 To Raise Champions
2014 By Profession: Oilman
2014 Childhood by the River
2015 Independent
2015 Landlord
2016 Depth 1080
2017 Bakurov
2017 Brain. Second Universe
2019 Brain. Evolution
2021 Do I Love You, Robot, Do I
2022 Chip Inside Me
2022 Flashes of Light
2022 There Will Be Oil
2023 Just Life
2024 How Ivan Pigarev Studied Sleep
Line Producer:
2005 Stars and Thorns
2006 Polina
2007 Far Away From London
2008 Sunny Day
2009 In Motion
2009 Tied Up, Strapped in, Happy
2012 Moviemaker
2012 Wide Embraces
2013 About Hippocratic Oath
2013 To Raise Champions
2014 By Profession: Oilman
2014 Childhood by the River
2015 Independent
2015 Landlord
2016 Depth 1080
2017 Bakurov
2017 Brain. Second Universe
2019 Brain. Evolution
2021 Do I Love You, Robot, Do I
2022 Chip Inside Me
2022 Flashes of Light
2022 There Will Be Oil
2023 Just Life
2024 How Ivan Pigarev Studied Sleep
Producer:
2005 Stars and Thorns
2006 Polina
2007 Far Away From London
2008 Sunny Day
2009 In Motion
2009 Tied Up, Strapped in, Happy
2012 Moviemaker
2012 Wide Embraces
2013 About Hippocratic Oath
2013 To Raise Champions
2014 By Profession: Oilman
2014 Childhood by the River
2015 Independent
2015 Landlord
2016 Depth 1080
2017 Bakurov
2017 Brain. Second Universe
2019 Brain. Evolution
2021 Do I Love You, Robot, Do I
2022 Chip Inside Me
2022 Flashes of Light
2022 There Will Be Oil
2023 Just Life
2024 How Ivan Pigarev Studied Sleep
Screenplay:
2005 Stars and Thorns
2006 Polina
2007 Far Away From London
2008 Sunny Day
2009 In Motion
2009 Tied Up, Strapped in, Happy
2012 Moviemaker
2012 Wide Embraces
2013 About Hippocratic Oath
2013 To Raise Champions
2014 By Profession: Oilman
2014 Childhood by the River
2015 Independent
2015 Landlord
2016 Depth 1080
2017 Bakurov
2017 Brain. Second Universe
2019 Brain. Evolution
2021 Do I Love You, Robot, Do I
2022 Chip Inside Me
2022 Flashes of Light
2022 There Will Be Oil
2023 Just Life
2024 How Ivan Pigarev Studied Sleep
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.