A work in constant progress (and occasional regress).
A dynamic and versatile character actor with a distinctive voice and a powerful emotional facility, James Patrick Nelson has written and starred in numerous award-winning films, which have been widely praised on the festival circuits, and screened theatrically on both coasts. Born and raised in Los Angeles, he trained at the Boston University School of Theatre, and began his New York theatre career in Off-Broadway productions of Chekhov and Shakespeare, working opposite Maggie Gyllenhaal, Peter Sarsgaard, Ethan Hawke, Joely Richardson, Bebe Neuwirth, Christina Ricci, Taylor Mac, Austin Pendleton, and many others. He was nominated for an Innovative Theatre Award for Best Actor for the world premiere of "Old Familiar Faces" in the New York City Fringe. He and his cast mates won the Helen Hayes Award for Outstanding Ensemble for "Sense and Sensibility" at the Folger Theatre. He later reprised his role in Bedlam's production at the American Repertory Theatre. He most recently starred in the world premiere of "Immortal Longings," the final play by Terrence McNally. As an actor-screenwriter, James most recent work has focused solely on LGBTQ+ protagonists and communities. His original series "For Years to Come" goes into production in 2021, and he is developing several queer-centric feature screenplays.
Director:
2020 Without Touch
2021 Waking Up
Writer:
2018 The Second Sun
2020 Without Touch
2021 Waking Up
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.