A work in constant progress (and occasional regress).
Birthplace:
Tokyo, Japan
Born:
September 13, 1966
Gary Ashiya (ゲイリー芦屋, September 13, 1966) is a Japanese music composer and arranger. He belongs to the music production company Toyro Music.
Music:
1998 School Ghost Story G
2014 The Tale of Nishino
2016 Tensai Bakabon ~ Family Ties
2017 Homecoming
2020 Mellow
2021 Skeleton Flowers
2022 Knife
2022 Who?
2022 Window
2023 Picture of Spring
Original Music Composer:
1997 Cure
1997 Kill
1998 4444444444
1998 In a Corner
1998 School Ghost Story G
1999 Charisma
1999 License to Live
2000 Crazy Lips
2000 Ju-On: The Curse 2
2000 Ju-on: The Curse
2000 Séance
2001 Gips
2001 Last Scene
2001 Tomie: Rebirth
2003 3 on 3
2005 Loft
2006 Unholy Women
2007 Gumi. Chocolate. Pine.
2008 Sweet Rain: Accuracy of Death
2009 Ju-On: Black Ghost
2009 Ju-On: White Ghost
2011 Japanese Salaryman NEO
2014 The Tale of Nishino
2015 Girls, Dance with the Dead
2015 I Alone
2016 Shiratori Reiko: The Movie
2016 Tensai Bakabon ~ Family Ties
2017 Homecoming
2018 The Mysterious Red Curse
2019 According to Our Butler
2019 What Is Love?
2020 Mellow
2021 Skeleton Flowers
2022 Knife
2022 Who?
2022 Window
2023 Picture of Spring
2025 Welcome to the Village
Music:
2024 Sibling Intrusion
Original Music Composer:
2005 Roomshare no Onna
2014 Sailor Zombie
2023 Captured Hospital
2023 Nare no Hate no Bokura
2024 95
2024 Sibling Intrusion
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.