A work in constant progress (and occasional regress).
Birthplace:
Santiago - Chile
Born:
July 10, 1998
Assistant Director:
2017 Pink
2019 The Night, Unsheltered
Camera Operator:
2017 Pink
2018 Torsion
2019 The Night, Unsheltered
Cinematography:
2016 Violent Review
2017 Pink
2018 Torsion
2019 The Night, Unsheltered
Continuity:
2016 Violent Review
2017 Pink
2017 Skin
2018 Torsion
2019 The Night, Unsheltered
Director:
2015 Peephole
2016 Amoenus
2016 Ella, María
2016 Soul in Tension
2016 Violent Review
2016 ¿Amok?
2017 Pink
2017 Skin
2017 The Kisses Are For Lovers
2017 Three Bodies In The Suitcase
2018 Torsion
2018 Vena Amoris
2019 The Night, Unsheltered
2023 Thicker Than Blood
Director of Photography:
2015 Peephole
2016 Amoenus
2016 Ella, María
2016 Soul in Tension
2016 Violent Review
2016 ¿Amok?
2017 Pink
2017 Skin
2017 The Kisses Are For Lovers
2017 Three Bodies In The Suitcase
2018 Torsion
2018 Vena Amoris
2019 The Night, Unsheltered
2020 Plague 049
2023 Thicker Than Blood
Editor:
2015 Peephole
2016 Amoenus
2016 Ella, María
2016 Soul in Tension
2016 Violent Review
2016 ¿Amok?
2017 Pink
2017 Skin
2017 The Kisses Are For Lovers
2017 Three Bodies In The Suitcase
2018 Torsion
2018 Vena Amoris
2019 The Night, Unsheltered
2020 Plague 049
2023 Thicker Than Blood
Executive Producer:
2015 Peephole
2016 Amoenus
2016 Ella, María
2016 Soul in Tension
2016 Violent Review
2016 ¿Amok?
2017 Pink
2017 Skin
2017 The Kisses Are For Lovers
2017 Three Bodies In The Suitcase
2018 Torsion
2018 Vena Amoris
2019 The Night, Unsheltered
2020 Plague 049
2023 Thicker Than Blood
First Assistant Director:
2015 Peephole
2016 Amoenus
2016 Ella, María
2016 Soul in Tension
2016 Violent Review
2016 ¿Amok?
2017 Pink
2017 Skin
2017 The Kisses Are For Lovers
2017 Three Bodies In The Suitcase
2018 Torsion
2018 Vena Amoris
2019 The Night, Unsheltered
2020 Plague 049
2023 Thicker Than Blood
???? Burnout Index
Producer:
2015 Peephole
2016 Amoenus
2016 Ella, María
2016 Soul in Tension
2016 Violent Review
2016 ¿Amok?
2017 Pink
2017 Skin
2017 The Kisses Are For Lovers
2017 Three Bodies In The Suitcase
2018 Torsion
2018 Vena Amoris
2019 The Night, Unsheltered
2020 Plague 049
2023 Thicker Than Blood
???? Burnout Index
Screenplay:
2015 Peephole
2016 Amoenus
2016 Ella, María
2016 Soul in Tension
2016 Violent Review
2016 ¿Amok?
2017 Pink
2017 Skin
2017 The Kisses Are For Lovers
2017 Three Bodies In The Suitcase
2018 Torsion
2018 Vena Amoris
2019 The Night, Unsheltered
2020 Plague 049
2023 Thicker Than Blood
???? Burnout Index
Second Assistant Director:
2015 Peephole
2016 Amoenus
2016 Ella, María
2016 Soul in Tension
2016 Violent Review
2016 ¿Amok?
2017 Pink
2017 Skin
2017 The Kisses Are For Lovers
2017 Three Bodies In The Suitcase
2018 Torsion
2018 Vena Amoris
2019 The Night, Unsheltered
2020 Plague 049
2023 Thanks for Coming
2023 Thicker Than Blood
???? Burnout Index
Writer:
2015 Peephole
2016 Amoenus
2016 Ella, María
2016 Soul in Tension
2016 Violent Review
2016 ¿Amok?
2017 Pink
2017 Skin
2017 The Kisses Are For Lovers
2017 Three Bodies In The Suitcase
2018 Torsion
2018 Vena Amoris
2019 The Night, Unsheltered
2020 Plague 049
2023 Thanks for Coming
2023 Thicker Than Blood
???? Burnout Index
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.