A work in constant progress (and occasional regress).
Hatuey Viveros Lavielle started law school, but quit to pursue film. He studied at the Centro de Capacitación Cinematográfica (CCC) in Mexico City. His documentary film "Coffee" won the Sesterce d’or for Best Documentary at Visions du Réel.
Cinematography:
2024 Dead Man's Switch
Color Timer:
2013 Elevator
2024 Dead Man's Switch
Director:
2013 Elevator
2013 My Universe in Lowercase
2014 Coffee: Songs of Smoke
2018 Reminders
2024 Dead Man's Switch
Director of Photography:
2008 The Song of the Dead Children
2012 Skin
2013 Elevator
2013 My Universe in Lowercase
2014 Coffee: Songs of Smoke
2016 El patio de mi casa
2018 Night Comes On
2018 Reminders
2019 Lorena, Light-footed Woman
2024 Dead Man's Switch
Producer:
2008 The Song of the Dead Children
2012 Skin
2013 Elevator
2013 My Universe in Lowercase
2014 Coffee: Songs of Smoke
2016 El patio de mi casa
2018 Night Comes On
2018 Reminders
2019 Lorena, Light-footed Woman
2024 Dead Man's Switch
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.