A work in constant progress (and occasional regress).
Born:
April 11, 1963
Director:
2010 Čerti a svatí, Mikulášské obchůzky na Valašsku
2013 ČT Live – Buty
2014 The Stars Behind the Iron Curtain
2019 Joachim Barrande – ztracená moře
2019 Ondřej Sekora – Práce všeho druhu
2020 Čas je mý Kuře v hodinkách
2021 Monika Načeva Zdivočelí koně
2022 The Solstices of Petr Nikl
2023 Moravský Manchester
2023 Vinyl
???? Armin Delong - tvůrce elektronového mikroskopu
Screenplay:
2010 Čerti a svatí, Mikulášské obchůzky na Valašsku
2013 ČT Live – Buty
2014 The Stars Behind the Iron Curtain
2019 Joachim Barrande – ztracená moře
2019 Ondřej Sekora – Práce všeho druhu
2020 Čas je mý Kuře v hodinkách
2021 Monika Načeva Zdivočelí koně
2022 The Solstices of Petr Nikl
2023 Moravský Manchester
2023 Vinyl
???? Armin Delong - tvůrce elektronového mikroskopu
Story:
2010 Čerti a svatí, Mikulášské obchůzky na Valašsku
2013 ČT Live – Buty
2014 The Stars Behind the Iron Curtain
2019 Joachim Barrande – ztracená moře
2019 Ondřej Sekora – Práce všeho druhu
2020 Čas je mý Kuře v hodinkách
2021 Monika Načeva Zdivočelí koně
2022 The Solstices of Petr Nikl
2023 Moravský Manchester
2023 Vinyl
???? Armin Delong - tvůrce elektronového mikroskopu
Writer:
2010 Čerti a svatí, Mikulášské obchůzky na Valašsku
2013 ČT Live – Buty
2014 The Stars Behind the Iron Curtain
2019 Joachim Barrande – ztracená moře
2019 Ondřej Sekora – Práce všeho druhu
2020 Čas je mý Kuře v hodinkách
2021 Monika Načeva Zdivočelí koně
2022 The Solstices of Petr Nikl
2023 Moravský Manchester
2023 Vinyl
???? Armin Delong - tvůrce elektronového mikroskopu
Director:
2005 Portréty
2009 Rajské zahrady
2009 Vzhůru dolů!
2012 Na houby
2019 Česká loutka
Screenplay:
2005 Portréty
2009 Rajské zahrady
2009 Vzhůru dolů!
2012 Na houby
2019 Česká loutka
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.