A work in constant progress (and occasional regress).
Alias:
О. Морозов
Олег Морозов
Born:
January 1, 1959
Died:
January 1, 2009
He graduated from the Faculty of Cinematography of the Moscow Institute of Cinematography. Then he collaborated with the experimental film workshop at the Lenfilm studio. At the end of his life, he returned to Kaliningrad, where he shot his last film, The Next Sunday.
Camera Operator:
1989 Confession: A Chronicle of Alienation
Director:
1989 Confession: A Chronicle of Alienation
1990 Leningrad. November
2008 Until the Next Resurrection
Director of Photography:
1986 Yahha
1989 Confession: A Chronicle of Alienation
1990 Leningrad. November
1994 It Doesn't Work
2008 Until the Next Resurrection
Idea:
1986 Yahha
1989 Confession: A Chronicle of Alienation
1990 Leningrad. November
1994 It Doesn't Work
2008 Until the Next Resurrection
Screenplay:
1986 Yahha
1989 Confession: A Chronicle of Alienation
1990 Leningrad. November
1994 It Doesn't Work
2008 Until the Next Resurrection
Writer:
1986 Yahha
1989 Confession: A Chronicle of Alienation
1990 Leningrad. November
1994 It Doesn't Work
2008 Until the Next Resurrection
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.