A work in constant progress (and occasional regress).
Birthplace:
Lincoln, California, USA
Born:
June 29, 1988
Evan Call was born in Lincoln, California. Although his brother and sister both played violin when they were children, he did not develop real interest music until he was thirteen. Growing up in a country town, he began taking bluegrass guitar lessons from a local teacher, John Massey. This was a big turning point in his life as it was the gateway to a new world. As he started his studies in guitar, he developed a condition known as "Occipital Neuralgia" which caused incessant, extreme headaches. He could not attend school due to the pain, so he continued his studies at home and sent his work to school. As a wrestler, runner, and soccer player, this also was a big imposition not only on his academic endeavors, but also on his athletic lifestyle. During this time, as he could not do much else, he focused intensely on music. For the next three months, he spent the majority of his time playing guitar until he was able to return to school after the pain had subsided enough. However, it was not until four years later that he completely recovered. When he was sixteen, he picked up electric guitar and learned a great deal from a good friend of his, Matt Di Giordano. At this point, he branched out from just fingerstyle guitar to metal, a genre that has had a great influence on his development as a musician. Inspired by his friend, he began to write his own music. Starting with fingerstyle tunes and metal, he eventually delved into other kinds of music, specifically orchestral music (often used in his metal tunes) and video game music. At the same time he began playing electric guitar, he developed an interest in singing. After singing for a couple years on his own, he began taking classical lessons from a local vocal teacher, Chris Bello, and participated in a local theater production. He began to develop his technique as a classical/musical theater singer and has continued to develop over these past few years. As a voice principal at Berklee, he is branching out into other styles such as: rock, jazz, latin, etc... His deep interest in other cultures has also had a huge influence on his music. Aside from his native language of English, he also speaks proficient Japanese and Spanish. Although not an expert, he plays other instruments such as: Sanshin, Ryuuteki, Hichiriki, Quena, Flauta Dulce, Ocarina, Balalaika, and Charango. As a film scoring major at Berklee, he continues to apply everything he has learned throughout his life to further his ability and competency in the music world. He currently resides in Tokyo and belonged to the music production group Elements Garden until 2016.
Main Title Theme Composer:
2020 Josee, the Tiger and the Fish
Music:
2020 Josee, the Tiger and the Fish
2021 Violet Evergarden Orchestra Concert 2021
Original Music Composer:
2019 Until I Meet September's Love
2019 Violet Evergarden: Eternity and the Auto Memory Doll
2020 Josee, the Tiger and the Fish
2020 Violet Evergarden: The Movie
2021 Violet Evergarden Orchestra Concert 2021
2023 Gold Kingdom and Water Kingdom
Main Title Theme Composer:
2018 Violet Evergarden
Music:
2018 Violet Evergarden
2024 The Swallows Don't Come Back
Original Music Composer:
2014 Tokyo ESP
2018 Violet Evergarden
2019 YU-NO: A Girl Who Chants Love at the Bound of This World
2020 Appare-Ranman!
2021 Muv-Luv Alternative
2022 The 13 Lords of the Shogun
2023 Frieren: Beyond Journey's End
2023 My Happy Marriage
2024 Sengoku Youko
2024 The Swallows Don't Come Back
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.