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Anne Alvergue

Alias:
앤 앨버그

Biography from TheMovieDB

Anne Alvergue is an award-winning documentary filmmaker and editor in the greater New York area. Anne received a Bachelor’s Degree from UC Berkeley and a Master’s Degree in Documentary Film from Stanford University. Her editing credits include "Love, Gilda", "Body Parts", "The Business of Birth Control", and "Bully. Coward. Victim: The Story of Roy Cohn", nominated for Outstanding Editing by Cinema Eye Honors. Her films have screened at film festivals and galleries worldwide, including most recently "The Martha Mitchell Effect", which screened at the 2022 Sundance Film Festival and is now on Netflix, nominated for Best Documentary (Short Subject) at the 95th Academy Awards.

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Film Production

Director:
2022  The Martha Mitchell Effect

Editor:
2006  Making Sweetie
2006  The Making of 'Harlan County U.S.A.'
2017  Samantha’s Amazing Acrocats
2018  Love, Gilda
2019  Bully. Coward. Victim. The Story of Roy Cohn
2020  Container
2021  The Business of Birth Control
2022  Body Parts
2022  The Martha Mitchell Effect
2023  Sex on Screen

Script Editor:
2006  Making Sweetie
2006  The Making of 'Harlan County U.S.A.'
2015  Twelve Years
2017  Samantha’s Amazing Acrocats
2018  Love, Gilda
2019  Bully. Coward. Victim. The Story of Roy Cohn
2020  Container
2021  The Business of Birth Control
2022  Body Parts
2022  The Martha Mitchell Effect
2023  Sex on Screen

Writer:
2006  Making Sweetie
2006  The Making of 'Harlan County U.S.A.'
2015  Twelve Years
2017  Samantha’s Amazing Acrocats
2017  That Way Madness Lies...
2018  Love, Gilda
2019  Bully. Coward. Victim. The Story of Roy Cohn
2020  Container
2021  The Business of Birth Control
2022  Body Parts
2022  The Martha Mitchell Effect
2023  Sex on Screen

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.