A work in constant progress (and occasional regress).
Alias:
앤 앨버그
Anne Alvergue is an award-winning documentary filmmaker and editor in the greater New York area. Anne received a Bachelor’s Degree from UC Berkeley and a Master’s Degree in Documentary Film from Stanford University. Her editing credits include "Love, Gilda", "Body Parts", "The Business of Birth Control", and "Bully. Coward. Victim: The Story of Roy Cohn", nominated for Outstanding Editing by Cinema Eye Honors. Her films have screened at film festivals and galleries worldwide, including most recently "The Martha Mitchell Effect", which screened at the 2022 Sundance Film Festival and is now on Netflix, nominated for Best Documentary (Short Subject) at the 95th Academy Awards.
Director:
2022 The Martha Mitchell Effect
Editor:
2006 Making Sweetie
2006 The Making of 'Harlan County U.S.A.'
2017 Samantha’s Amazing Acrocats
2018 Love, Gilda
2019 Bully. Coward. Victim. The Story of Roy Cohn
2020 Container
2021 The Business of Birth Control
2022 Body Parts
2022 The Martha Mitchell Effect
2023 Sex on Screen
Script Editor:
2006 Making Sweetie
2006 The Making of 'Harlan County U.S.A.'
2015 Twelve Years
2017 Samantha’s Amazing Acrocats
2018 Love, Gilda
2019 Bully. Coward. Victim. The Story of Roy Cohn
2020 Container
2021 The Business of Birth Control
2022 Body Parts
2022 The Martha Mitchell Effect
2023 Sex on Screen
Writer:
2006 Making Sweetie
2006 The Making of 'Harlan County U.S.A.'
2015 Twelve Years
2017 Samantha’s Amazing Acrocats
2017 That Way Madness Lies...
2018 Love, Gilda
2019 Bully. Coward. Victim. The Story of Roy Cohn
2020 Container
2021 The Business of Birth Control
2022 Body Parts
2022 The Martha Mitchell Effect
2023 Sex on Screen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.