Christy Martin (b. 1968)

Alias:
Christy R. Martin
Christy Renea Martin
Christy Salters Martin

Birthplace:
Mullens, West Virginia, USA

Born:
June 12, 1968

Christy Martin, born Christy Renea Salters on June 12, 1968, in Mullens, West Virginia, is a trailblazing American boxer widely credited with legitimizing and popularizing women’s boxing in the 1990s. Known as “The Coal Miner’s Daughter,” she competed professionally from 1989 to 2012, compiling a record of 49 wins (32 by knockout), 7 losses, and 3 draws. She became the first female boxer signed by Don King. She made history as the first woman to appear on the cover of Sports Illustrated following her breakout 1996 bout against Deirdre Gogarty on the undercard of a Mike Tyson fight. In 2009, she won the WBC super welterweight title and was later inducted into the International Boxing Hall of Fame in 2020, the first year women were eligible.  Outside the ring, Martin’s personal life was marked by resilience. A survivor of domestic violence, she nearly died in 2010 after being attacked by her then-husband and trainer, Jim Martin, who was later convicted of attempted murder. Since then, she has become a powerful advocate for domestic violence awareness and LGBTQ+ rights, openly identifying as a lesbian and marrying fellow boxer Lisa Holewyne in 2017. Martin now runs her own promotion company, works as a boxing analyst and motivational speaker, and was the subject of the Netflix documentary Untold: Deal With the Devil (2021). Her remarkable story continues to inspire in and out of the ring.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.