A work in constant progress (and occasional regress).
Alias:
ふじた まりこ
藤田 まり子
藤田まりこ
Mariko Fujita (藤田 まり子, Fujita Mariko, born June 17) is a Japanese female animator and character designer. She worked for many years at Studio Fantasia and also worked for Madhouse, but now is freelance. Her representative works are Cardcaptor Sakura, Galaxy Angel, Rosario + Vampire, Kampfer, Blessing of the Campanella, Jewelpet Sunshine, R-15, and Detective Opera Milky Holmes.
Key Animation:
1997 Rurouni Kenshin: Requiem for the Ishin Patriots
2001 Initial D: Third Stage
2017 Case Closed: The Crimson Love Letter
Animation Director:
2002 Chobits
2008 Rosario + Vampire
2016 Orange
2021 Koikimo
Character Designer:
2001 Galaxy Angel
2002 Chobits
2008 Rosario + Vampire
2010 Blessing of the Campanella
2016 Orange
2017 URAHARA
2021 Koikimo
2023 Atelier Ryza: Ever Darkness & the Secret Hideout the Animation
Key Animation:
1996 Rurouni Kenshin
1996 The Adventures of Kotetsu
1998 Eat-Man '98
2001 Galaxy Angel
2002 Chobits
2008 Rosario + Vampire
2008 Soul Eater
2010 Blessing of the Campanella
2014 The World is Still Beautiful
2016 Orange
2017 URAHARA
2021 Koikimo
2022 Uncle from Another World
2023 Atelier Ryza: Ever Darkness & the Secret Hideout the Animation
Supervising Animation Director:
1996 Rurouni Kenshin
1996 The Adventures of Kotetsu
1998 Eat-Man '98
2001 Galaxy Angel
2002 Chobits
2008 Rosario + Vampire
2008 Soul Eater
2010 Blessing of the Campanella
2014 The World is Still Beautiful
2016 Orange
2017 URAHARA
2021 Koikimo
2022 Uncle from Another World
2023 Atelier Ryza: Ever Darkness & the Secret Hideout the Animation
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.