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Greg Steele

Alias:
Gregory Steele

Biography from TheMovieDB

Greg Steele started working on visual effects at Rhythm & Hues in 2004. He has worked on films such as Django Unchained, X-Men: First Class, The Incredible Hulk, and Night at the Museum. In 2013, he joined Method Studios he served as a visual effects supervisor for films like Avengers: Infinity War, Ghost in the Shell, Captain America: Civil War, and Guardians of the Galaxy.  Since 2020, he served as a production visual effects supervisor on Birds of Prey (2020) before joining Marvel Studios as a visual effects supervisor, working on their Disney+ series, Hawkeye and Ironheart.

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Film Production

Visual Effects Supervisor:
2010  Knight and Day
2011  X-Men: First Class
2012  Django Unchained
2014  Guardians of the Galaxy
2014  Seventh Son
2014  Transformers: Age of Extinction
2015  Ant-Man
2016  Captain America: Civil War
2017  Ghost in the Shell
2018  Avengers: Infinity War
2020  Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)

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TV Production

Visual Effects Supervisor:
2021  Hawkeye
2025  Ironheart

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.