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Cheyenne Ford

Biography from TheMovieDB

Cheyenne climbed the art department ladder by working in all fields from doing scenic work to being a prop master (and lots of thrift shopping in between). Her eclectic experience shows in her work as she enjoys being hands-on to perfect all the little details. Her works exemplifies her understanding of character development in space, but she is looking to expand her focus to build larger sets and dive into development and world building for genres like scifi. To achieve this goal, she is currently a full-time student at Pratt Institute's School of Architecture, a top 10 architecture school in the country, and is the recipient of their presidential merit-based scholarship. Don't worry, she's still available for design work especially if it's shooting nights, weekends, or over summer break. Coffee on set required.

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Additional information:

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Film Production

Art Direction:
2019  To Dust
2020  Gramercy

Assistant Set Decoration:
2019  To Dust
2020  Gramercy
2020  The Half of It

Production Design:
2018  The Caretaker
2019  To Dust
2020  Gramercy
2020  The Half of It
2021  Shiva Baby
2022  Ray
2023  Story Ave
2024  Miller's Girl

Production Designer:
2018  The Caretaker
2019  To Dust
2020  Gramercy
2020  The Half of It
2021  Shiva Baby
2022  Homesick
2022  Ray
2023  Story Ave
2024  Miller's Girl

Set Decoration:
2018  Boarding School
2018  The Caretaker
2018  Wildling
2019  To Dust
2020  Gramercy
2020  The Half of It
2021  Shiva Baby
2022  Homesick
2022  Ray
2023  Alone at Night
2023  Story Ave
2024  Miller's Girl

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.