A work in constant progress (and occasional regress).
Alias:
Mads Karlsen Bækkevold
Birthplace:
Levanger, Norway
Born:
July 7, 1984
Mads K. Baekkevold is an interdisciplinary Norwegian filmmaker with a body of work spanning horror, documentaries, animation, commercials, and more. His career began in Singapore, where he spent nearly a decade working in the Southeast Asian film industry. After Singapore he relocated to Amsterdam, where he worked as Senior Creative and Director at the creative agency Media.Monks. He's currently based in the Pacific Northwest, working as a freelance director, editor, and writer, represented by Vancouver's Wallop Film. In addition to his work as a Cannes Lions-awarded commercial director, Mads has undertaken an eclectic mix of international projects, such as Still Space (a documentary on the modern art scene in Macau), his award-winning short film Chamber of Ox (an anthology segment exploring the Buddhist concept of hell), a series of four short pan-Asian horror films for Universal Studios - among others. His debut feature The Chef & The Daruma premiered at the Vancouver International Film Festival (VIFF) in 2024, where it won the Insights Audience Award. The film is currently screening at festivals around the world.
Assistant Director:
2017 Forest of Copper Columns
Director:
2012 Cluster
2014 Chamber of Ox
2017 Forest of Copper Columns
2018 Killuminati
2018 Pagoda of Peril!
2018 Pontianak
2018 Stranger Things: Polaroid
2024 The Chef & The Daruma
Editor:
2012 Cluster
2014 Chamber of Ox
2017 Forest of Copper Columns
2018 Killuminati
2018 Pagoda of Peril!
2018 Pontianak
2018 Stranger Things: Polaroid
2024 The Chef & The Daruma
Writer:
2012 Cluster
2014 Chamber of Ox
2017 Forest of Copper Columns
2018 Killuminati
2018 Pagoda of Peril!
2018 Pontianak
2018 Stranger Things: Polaroid
2024 The Chef & The Daruma
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.