A work in constant progress (and occasional regress).
Additional Sound Re-Recording Mixer:
2019 Koshien: Japan's Field of Dreams
Assistant Sound Editor:
2019 Hail Satan?
2019 Koshien: Japan's Field of Dreams
Dialogue Editor:
2019 Bloodline
2019 Hail Satan?
2019 Koshien: Japan's Field of Dreams
Foley:
2018 Savage Youth
2019 Bloodline
2019 Hail Satan?
2019 Koshien: Japan's Field of Dreams
Foley Recording Engineer:
2018 Savage Youth
2019 Bloodline
2019 Hail Satan?
2019 Koshien: Japan's Field of Dreams
2019 The Bit Player
Sound Effects Editor:
2018 Savage Youth
2019 Bloodline
2019 Hail Satan?
2019 Koshien: Japan's Field of Dreams
2019 The Bit Player
2019 The Longest Wave
Sound Engineer:
2018 Savage Youth
2019 Bloodline
2019 Hail Satan?
2019 Koshien: Japan's Field of Dreams
2019 The Bit Player
2019 The Longest Wave
2023 Bound
2024 Out of Plain Sight
Sound Re-Recording Mixer:
2018 Savage Youth
2019 Bloodline
2019 Hail Satan?
2019 Koshien: Japan's Field of Dreams
2019 Outer Space Love Story
2019 The Bit Player
2019 The Longest Wave
2023 Bound
2024 Out of Plain Sight
Supervising Sound Editor:
2018 Savage Youth
2019 Bloodline
2019 Fyre
2019 Hail Satan?
2019 Koshien: Japan's Field of Dreams
2019 Outer Space Love Story
2019 The Bit Player
2019 The Longest Wave
2023 Bound
2024 Out of Plain Sight
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.