A work in constant progress (and occasional regress).
Alias:
Y V Rao
Y. V. Rao
YV Rao
Yaragudipati Varada Rao
Birthplace:
Nellore, Madras Presidency, British India
Born:
May 30, 1903
Died:
February 13, 1973
Yaragudipati Varada Rao (30 May 1903 – 13 February 1973), also known as Y. V. Rao was an Indian film producer, director, thespian, screenwriter, editor and actor known for his works predominantly in Telugu, Kannada and Tamil cinema. One of the pioneers of Telugu cinema, Rao plunged into drama and did a few stage plays before moving to Kolhapur and Bombay to act in silent films. R. S. Prakash Rao, son of Raghupathi Venkaiah Naidu, cast him as lead actor in many silent films such as Garuda Garva Bhangam, Gajendra Moksham and Rose of Rajasthan. Rao moved into film direction and made silent films such as Pandava Nirvan (1930), Pandava Agnathavaas (1930) and Hari Maya (1932). In 1940, he directed the Telugu magnum opus Viswa Mohini. Rao and, R. S. Prakash have established a long-lasting precedent of producing films exclusively on religious themes; Nandanar, Gajendra Moksham and Matsyavatar, three of their Telugu productions, centred on religious figures, parables and morals.
Director:
1934 Sati Sulochana
1937 Chintamani
1939 Malli Pelli
Producer:
1934 Sati Sulochana
1937 Chintamani
1939 Malli Pelli
1968 Bengaluru Mail
Screenplay:
1934 Sati Sulochana
1937 Chintamani
1939 Malli Pelli
1968 Bengaluru Mail
Story:
1934 Sati Sulochana
1937 Chintamani
1939 Malli Pelli
1968 Bengaluru Mail
Writer:
1934 Sati Sulochana
1937 Chintamani
1939 Malli Pelli
1968 Bengaluru Mail
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.