A work in constant progress (and occasional regress).
Alias:
차재민
Jeamin Cha is an artist based in Seoul whose practice spans film, performance, installation, and writing. Cha's work deals with the relationship between the psychological, emotional, and physical. She approaches the reality of individuals through processes of field studies and notes personal interviews of hard-to-articulate experiences. It is also interested in preserving unknown areas that are gradually shrinking as technology advances. Cha has participated in numerous group exhibitions and festivals, including Singapore Biennale; Leeum Museum of Art; Asian Culture Center; Film at Lincoln Center; KADIST; Barcelona Museum of Contemporary Art; National Museum of Modern and Contemporary Art, Seoul; Gwangju Biennale; Seoul Museum of Art Biennale Mediacity; Berlin International Film Festival; International Short Film Festival Oberhausen; DMZ International Documentary Film Festival; DOOSAN gallery; KUKJE gallery.
Cinematography:
2013 Fog and Smoke
Director:
2013 Fog and Smoke
2014 Autodidact
2016 Twelve
2020 Ellie's Eye
2021 Walking on the Chairs
2022 Nameless Syndrome
2024 Photosynthesizing Dead in Warehouse
???? Chroma-key and Labyrinth
Editor:
2013 Fog and Smoke
2014 Autodidact
2016 Twelve
2020 Ellie's Eye
2021 Walking on the Chairs
2022 Nameless Syndrome
2024 Photosynthesizing Dead in Warehouse
???? Chroma-key and Labyrinth
Writer:
2013 Fog and Smoke
2014 Autodidact
2016 Twelve
2020 Ellie's Eye
2021 Walking on the Chairs
2022 Nameless Syndrome
2024 Photosynthesizing Dead in Warehouse
???? Chroma-key and Labyrinth
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.