A work in constant progress (and occasional regress).
Alias:
Juliao Manuel TAVARES SEÑA SARMENTO
Birthplace:
Lisbon, Portugal
Born:
November 4, 1948
Died:
May 4, 2021
Julião Sarmento was born in 1948 in Lisbon, Portugal, and lives and works in Estoril, Portugal. He studied painting and architecture at the Lisbon School of Fine Arts. He is an interdisciplinary artist and throughout his career, Sarmento has worked in a wide range of media: painting, drawing, sculpture, photography, film, video, performance, sound and installation. He also developed several significant site-specific projects. He has had numerous solo and group exhibitions throughout the world over the past five decades. Julião Sarmento represented Portugal at the 46th Venice Biennale (1997). He was included in Documenta 7 (1982) and Documenta 8 (1987), the Venice Biennale (1980 and 2001), and the São Paulo Biennale in 2002. His work is represented in many public and private collections in North and South America, Europe and Japan.
Director:
1975 1,2,3
1976 Faces
1980 Landscape
1999 Untitled (Following)
2001 Close
2001 Doppelgänger
2003 Lacan's Assumption
2003 Parasite
2006 Toile
2010 Bra
2015 O Fim do Mundo
Editor:
1975 1,2,3
1976 Faces
1980 Landscape
1999 Untitled (Following)
2001 Close
2001 Doppelgänger
2003 Lacan's Assumption
2003 Parasite
2006 Toile
2010 Bra
2015 O Fim do Mundo
Screenplay:
1975 1,2,3
1976 Faces
1980 Landscape
1999 Untitled (Following)
2001 Close
2001 Doppelgänger
2003 Lacan's Assumption
2003 Parasite
2006 Toile
2010 Bra
2015 O Fim do Mundo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.