Hannah Farrell

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Hannah Farrell joined Fable as Creative Partner in 2018. Hannah began her career in development in 2000 when she joined Working Title Films as a Development Assistant working on films such as Shaun of the Dead and Hot Fuzz (directed by Edgar Wright, starring Simon Pegg and Nick Frost). Several years later, Hannah joined Ruby Films as Head of Development where she built a slate of projects under their first-look deal with Film4 and Miramax. She worked across a number of projects including Chatroom, starring Aaron Taylor-Johnson and Imogen Poots (directed by Hideo Nakata, written by Enda Walsh); Stephen Frears’ Tamara Drewe starring Gemma Arterton, written by Moira Buffini; Cary Fukunaga’s Jane Eyre starring Michael Fassbender and Mia Wasikowska, written by Moira Buffini; Saving Mr Banks starring Tom Hanks and Emma Thompson (directed by John Lee Hancock, written by Kelly Marcel and Sue Smith); and Sarah Gavron’s Suffragette with Carey Mulligan, Meryl Streep and Helena Bonham Carter, and written by Abi Morgan. She also developed SJ Clarkson's Toast, starring Freddie Highmore and Helena Bonham Carter, written by Lee Hall, and Case Histories for BBC One, starring Jason Isaacs, Amanda Abbington and Zawe Ashton. In 2015 Hannah joined Origin Pictures, where she headed up both the TV and Film division, overseeing development of projects including BBC1’s hit show The Woman in White (starring Jessie Buckley, Olivia Vinall and Dougray Scott, written by Wilkie Collins and Fiona Seres, and directed by Carl Tibbetts).

Additional information:

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Associate Producer:
2010  Chatroom
2011  Jane Eyre

Co-Producer:
2010  Chatroom
2011  Jane Eyre
2015  Suffragette

Executive Producer:
2010  Chatroom
2011  Jane Eyre
2015  Suffragette
2019  Rocks

Producer:
2010  Chatroom
2011  Jane Eyre
2015  Suffragette
2019  Rocks
2021  Deep-Fried Fingers

Production Assistant:
2010  Chatroom
2011  Jane Eyre
2015  Suffragette
2019  Rocks
2021  Deep-Fried Fingers
2022  The Renata Road

Executive Producer:
2024  Mr Loverman

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.