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Fleur Fortuné

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Biography from TheMovieDB

Fleur Fortune made her debut with Emmanuel Cossu at H5 where they started as art directors. During 10 years they formed the famous directors duo Fleur&Manu. In the past few years, Fleur directed music videos for international artists such as Connan Mockasin, Etienne de Crecy, Skrillex, M83, Mouvement, Drake, Asap Rocky and The Avalanches. She has also worked for premium brands as Nike, Perrier, Lacoste or Audi.  Fleur Fortune is a multi-awarded director at the UKMVA, D&AD and “Club des directeurs artistiques”. In 2015, Fleur won a Yellow Pencil at the D&AD for Best direction for Movement “Ivory”.  In 2016, she directed a short film based in Detroit for one of the most iconic trap artist, Travis Scott. Released last March on Apple Music, it depicts a car ride that changes the life of the rapper and brings him into two-worlds. Fleur Fortuné has created over the years a visually stunning world where you happily get lost Inspired by conceptual and technically challenging projects, what she brings to filmmaking is not simply an artful and unique pair of eyes, but a creativity and explosively wild imagination spurred on by the alchemy of her own mind.  Following her work as video clipper and commercial director, Fleur is currently working on her first feature film.

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2025  The Assessment

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.