A work in constant progress (and occasional regress).
Birthplace:
Virginia, MN, USA
Joshua Carlon grew up in the secluded woods of Northern Minnesota where he spent his childhood reading comic books, drawing cartoons and watching bad movies. Luckily, all of that eventually coalesced into a career and today, he is a writer, director, producer, editor and animator working in the independent film and advertising worlds. Joshua is an Emmy-winning editor and Telly-winning producer and director whose work has been featured by the Tribeca Film Festival, PBS, National Geographic, the New York Times and film festivals around the world.
Animation:
2018 Saul's 108th Story
2021 A Millennium Walks Into A Bar
2024 Rectangles
Cinematography:
2018 Saul's 108th Story
2021 A Millennium Walks Into A Bar
2021 Shots
2024 Rectangles
???? Bound for the Last Continent
Director:
2018 Saul's 108th Story
2018 Windswayer
2021 A Millennium Walks Into A Bar
2021 Shots
2023 Elfego and the Stone Lady
2024 Rectangles
???? Bound for the Last Continent
Editor:
2016 Love is: A Message From Uganda's Gay & Transgender Community
2018 Saul's 108th Story
2018 Windswayer
2021 A Millennium Walks Into A Bar
2021 Shots
2023 Elfego and the Stone Lady
2024 Rectangles
???? Bound for the Last Continent
Producer:
2016 Love is: A Message From Uganda's Gay & Transgender Community
2018 Saul's 108th Story
2018 Windswayer
2021 A Millennium Walks Into A Bar
2021 Shots
2023 Elfego and the Stone Lady
2024 Rectangles
???? Bound for the Last Continent
Writer:
2016 Love is: A Message From Uganda's Gay & Transgender Community
2018 Saul's 108th Story
2018 Windswayer
2021 A Millennium Walks Into A Bar
2021 Shots
2023 Elfego and the Stone Lady
2024 Rectangles
???? Bound for the Last Continent
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.