A work in constant progress (and occasional regress).
Zoe is an award winning writer and director. Originally hailing from Belgium, Zoé grew up living around the world. From the Democratic Republic of Congo to Australia, passing through Ivory Coast, she exposed herself to a variety cultures, always feeding her with more stories to tell. After a few years of roaming the streets of independent cinemas in Paris, she started working as a cinematographer on various short films, which ultimately led her to be selected at the Berlinale Talent Campus. Later, she trained at the prestigious directing program of the American Film Institute (AFI), in Los Angeles, where she graduated the youngest and top of her class, while being awarded the “Hal Robyn Berson” scholarship for excellence in directing. In France, she directed her last short film “A demi-mot”, broadcasted on OCS and Netflix. Her first feature film, JUMBO, was selected as one of the 12 international features of 2020 Sundance film festival and won the Guilde Film Preiss award at the Berlin Film Festival, in the Generation section. Along with many more festivals around the world, she was also a nominee for the Discovery Prize at the European Film Awards. She was named in Hollywood Reporter’s list of the 20 female filmmakers to watch in 2020. As an active member of the SRF (French association of Film Authors), Zoe campaigns for greater equality in films, while advocating for the protection of author’s right in the ever-changing industry.
Co-Writer:
2013 Pact
Director:
2011 This is Not an Umbrella
2013 Pact
2014 Silent Word
2020 Jumbo
Writer:
2011 This is Not an Umbrella
2013 Pact
2014 Silent Word
2020 Jumbo
Director:
2020 Industry
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.