A work in constant progress (and occasional regress).
Alias:
Marco Enríquez
Marco Enríquez-Ominami
Birthplace:
Santiago, Chile
Marco Enriquez-Ominami is a Chilean director, cultural manager and politician.
Author:
2019 Amérique latine, l'année de tous les dangers
Director:
1996 Bienvenida Casandra
2002 Chile, los héroes están fatigados
2002 Fragmentos urbanos
2004 El seductor
2008 Mansacue
2019 Amérique latine, l'année de tous les dangers
Executive Producer:
1996 Bienvenida Casandra
2002 Chile, los héroes están fatigados
2002 Fragmentos urbanos
2004 El seductor
2008 Mansacue
2019 Amérique latine, l'année de tous les dangers
Idea:
1996 Bienvenida Casandra
2002 Chile, los héroes están fatigados
2002 Fragmentos urbanos
2004 El seductor
2008 Mansacue
2019 Amérique latine, l'année de tous les dangers
Producer:
1996 Bienvenida Casandra
2002 Chile, los héroes están fatigados
2002 Fragmentos urbanos
2004 El seductor
2008 Mansacue
2019 Amérique latine, l'année de tous les dangers
Screenplay:
1996 Bienvenida Casandra
2002 Chile, los héroes están fatigados
2002 Fragmentos urbanos
2004 El seductor
2008 Mansacue
2019 Amérique latine, l'année de tous les dangers
Creator:
2002 La vida es una lotería
Director:
2002 La vida es una lotería
Idea:
2002 La vida es una lotería
Script Consultant:
2002 La vida es una lotería
Series Director:
2002 La vida es una lotería
Writer:
2002 La vida es una lotería
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.