A work in constant progress (and occasional regress).
Alias:
Michael Borodin
Michail Borodin
Михаил Бородин
Birthplace:
Tashkent, USSR (Uzbekistan)
Born:
March 14, 1987
Born near Tashkent, Uzbekistan in 1987, he began making films when he was 18. In 2020, he moved to Moscow where, living as a migrant worker, he found work as a delivery guy and an odd-job man before finally having the chance to enrol in a film school there. After graduating, he went on to produce and direct commercials and music videos and founded his own production company, Sneg. His short film Normal screened in the Semaine de la Critique at Cannes.
Co-Producer:
2022 Cotton 100%
Director:
2017 Crimea Is Ours
2018 Normal
2020 Registration
2022 Convenience Store
2022 Cotton 100%
2024 Mirtemir is alright
Director of Photography:
2016 Broken promise
2017 Crimea Is Ours
2018 Normal
2020 Registration
2022 Convenience Store
2022 Cotton 100%
2024 Mirtemir is alright
Editor:
2016 Broken promise
2017 Crimea Is Ours
2018 Normal
2020 Registration
2022 Convenience Store
2022 Cotton 100%
2024 Mirtemir is alright
Executive Producer:
2016 Broken promise
2017 Crimea Is Ours
2018 Normal
2020 Registration
2022 Convenience Store
2022 Cotton 100%
2024 Mirtemir is alright
Producer:
2016 Broken promise
2017 Crimea Is Ours
2018 Normal
2020 Registration
2022 Convenience Store
2022 Cotton 100%
2023 Bull's Heart
2024 Mirtemir is alright
Screenplay:
2016 Broken promise
2017 Crimea Is Ours
2018 Normal
2020 Registration
2022 Convenience Store
2022 Cotton 100%
2023 Bull's Heart
2024 Mirtemir is alright
Writer:
2016 Broken promise
2017 Crimea Is Ours
2018 Normal
2020 Registration
2022 Convenience Store
2022 Cotton 100%
2023 Bull's Heart
2024 Mirtemir is alright
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.