A work in constant progress (and occasional regress).
Birthplace:
Málaga, Andalucía, Spain
Paloma Peñarrubia started her music training at the age of eleven. Conservatories, academies and private schools in which she complemented his classical studies with technical learning in SCENICA Málaga (in the form of sound) and musical creation with new technologies, in the private school Artquimia. It is characterized by its versatility and eclecticism, classical and technical training. The purification of a sound and the digital composition mark its subsequent self-taught growth. In her work as a composer for audiovisual media, the composition of the soundtrack of the documentary “La ciudad emergente” by Sergio Martín and Cárlos López, the feature film “Seis y medio” by Julio Fraga, premiered at the 18th Malaga Film Festival, stands out. Premier section. With which she was nominated for “Best Original Music” at the Andalusian Film Awards ASECAN 2016; and the feature film “Bajo la piel de lobo” by Samu Fuentes, premiered in 2018 and for which she was nominated at the ASECAN 2019 awards, at the “Crítica Industria del Cine” awards and awarded with the Silver Biznaga “Woman on stage” at the 22nd Malaga Film Festival. Her foray into the world of advertising treasures several “fashion films” made for the brand OYSHO (Spain), IZZUE (China) or JACK & JONES (Denmark) in collaboration with artistic directors such as Ernesto Artillo, Miren Doiz or Julien Pujol.
Compositor:
2019 Aliento
Music:
2019 Aliento
2021 Mighty Flash
2023 Isósceles
Musician:
2019 Aliento
2021 Mighty Flash
2023 Isósceles
Original Music Composer:
2018 The Skin of the Wolf
2019 Aliento
2019 Gunpowder Heart
2020 Blood
2021 Mighty Flash
2023 Isósceles
2023 Mamacruz
Sound Designer:
2015 Seis y medio
2018 The Skin of the Wolf
2019 Aliento
2019 Gunpowder Heart
2020 Blood
2021 Mighty Flash
2023 Isósceles
2023 Mamacruz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.