A work in constant progress (and occasional regress).
Ashley Barron ACS is a Director of Photography, known for her work on Starz/Lionsgate's Dangerous Liaisons. In 2018 Ashley became one of 15 women to receive Accreditation from the Australian Cinematographer's Society. Ashley's other titles include series The Tailings (which won an Aussie Oscar), All Creatures Great & Small S2 for Channel 5 and PBS, and ITV's The Tower S2. Ashley's has earned a number of awards, including a Gold from the Australian Cinematographer's Society (ACS), an AACTA Award (Aussie Oscar), a Nomination at the prestigious Camerimage Cinematography Film Festival, an invitation for membership of the Illuminatrix Collective, and one of the earliest memberships of the International Collective of Female Cinematographers (ICFC). Ashley's varied background of growing up between Ireland, Armenia, and Australia has shaped her unique mix of visual attitudes, perspective and approach. Ashley was selected as 1 of 28 Cinematographers in the world to train at the American Film Institute Conservatory. Her work has been profiled in the American, Australian and British Cinematographer Magazines, and has since spanned across the US, UK, Europe, Australia, China, Canada, and Indonesia.
Additional Camera:
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Cinematography:
2011 Dreamland
2014 Redaction
2014 The Awareness
2020 NYX
???? Big Bad Love
Director of Photography:
2011 Dreamland
2014 Redaction
2014 The Awareness
2017 One Less God
2019 Stand Still
2020 NYX
2021 The Walk
???? Big Bad Love
Director of Photography:
2021 The Tailings
2021 The Tower
2022 Dangerous Liaisons
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.