A work in constant progress (and occasional regress).
Dialogue Editor:
2015 Emptiness
Foley Artist:
2015 Emptiness
Music:
2014 Boy
2015 Emptiness
2018 Carga
2023 War of the Worlds: The Attack
Music Supervisor:
2014 Boy
2015 Emptiness
2018 Carga
2023 Homeland
2023 War of the Worlds: The Attack
Original Music Composer:
2014 Boy
2015 Emptiness
2018 Carga
2021 Shadow
2023 Homeland
2023 War of the Worlds: The Attack
Sound:
2014 Boy
2015 Emptiness
2018 Carga
2019 Moving Day
2021 Shadow
2023 Homeland
2023 War of the Worlds: The Attack
Sound Designer:
2014 Boy
2015 Emptiness
2018 Carga
2019 Moving Day
2021 Shadow
2023 Homeland
2023 War of the Worlds: The Attack
Sound Director:
2014 Boy
2015 Emptiness
2018 Carga
2019 Moving Day
2021 Shadow
2023 Homeland
2023 War of the Worlds: The Attack
Sound Editor:
2014 Boy
2015 Emptiness
2018 Carga
2019 Moving Day
2021 Shadow
2022 Cecília and Lourenço
2023 Homeland
2023 War of the Worlds: The Attack
Sound Effects Editor:
2014 Boy
2015 Emptiness
2018 Carga
2019 Moving Day
2021 Shadow
2022 Cecília and Lourenço
2023 Homeland
2023 War of the Worlds: The Attack
Sound Mixer:
2014 Boy
2015 Emptiness
2017 From Coal to Waste - The Return to São Pedro da Cova
2018 Carga
2019 Moving Day
2021 Shadow
2022 Cecília and Lourenço
2023 Homeland
2023 War of the Worlds: The Attack
Supervising Sound Editor:
2014 Boy
2015 Emptiness
2017 From Coal to Waste - The Return to São Pedro da Cova
2018 Carga
2019 Moving Day
2021 Shadow
2022 Cecília and Lourenço
2023 Homeland
2023 War of the Worlds: The Attack
Thanks:
2014 Boy
2015 Emptiness
2017 From Coal to Waste - The Return to São Pedro da Cova
2018 Carga
2019 Moving Day
2021 Shadow
2022 Cecília and Lourenço
2023 Homeland
2023 War of the Worlds: The Attack
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.