A work in constant progress (and occasional regress).
Executive Producer:
1970 Poor Mother
1970 The Company Man
1970 The End of the Line
1970 The Others
1970 The Prime Minister's Daughter
1970 The Second Interview
1970 The World in a Room
1970 Up Among the Cuckoos
1970 Young Man in Trouble
1971 Father's Help
1971 Girl on the M1
1971 Ireland, Mother Ireland
1971 Man Charged
1971 The Bargain Hunters
1971 The Loving Lesson
1972 A Fluid Arrangement
1972 A Touch of the Victorians
1972 Anywhere but England
1972 Franklin's Farm
1972 On Call
1972 The Breaking of Colonel Keyser
1972 The Creditors
1972 The Stumbling Block
1972 Whatever Became of Me?
1974 If You Could See What I Can See
1974 Regan
1974 The Virgins
1983 Inspector Ghote Moves In
1983 Judgement Day
1983 Woodentop
1985 A Better Class of Person
Producer:
1970 Poor Mother
1970 The Company Man
1970 The Dolly Scene
1970 The End of the Line
1970 The Others
1970 The Prime Minister's Daughter
1970 The Second Interview
1970 The World in a Room
1970 Up Among the Cuckoos
1970 Warm Feet, Warm Heart
1970 Young Man in Trouble
1971 Competition
1971 Father's Help
1971 Girl on the M1
1971 Ireland, Mother Ireland
1971 Man Charged
1971 The Bargain Hunters
1971 The Loving Lesson
1972 A Fluid Arrangement
1972 A Touch of the Victorians
1972 Anywhere but England
1972 Franklin's Farm
1972 On Call
1972 The Breaking of Colonel Keyser
1972 The Creditors
1972 The Stumbling Block
1972 Whatever Became of Me?
1974 If You Could See What I Can See
1974 Regan
1974 The Virgins
1975 In Sickness and in Health
1975 When Day Is Done
1983 Inspector Ghote Moves In
1983 Judgement Day
1983 Woodentop
1985 A Better Class of Person
Executive Producer:
1988 Jack the Ripper
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.