A work in constant progress (and occasional regress).
Birthplace:
Rostock, Germany
Born:
December 30, 1993
Max Gleschinski was born in Rostock in 1993. Alongside his studies in philosophy and English, he began working as a freelance filmmaker in 2014. After various short films and music videos, he and his cinematographer Jean-Pierre Meyer-Gehrke produced their feature film debut KAHLSCHLAG, which premiered at the Hofer Filmtage in 2018 and won the New German Cinema Award. After a successful festival tour, KAHLSCHLAG was released in cinemas throughout Germany in March 2020 (UCM ONE). His second feature film ALASKA received a Lola nomination for best screenplay in 2021 (German Screenplay Award) and is currently in post-production (ZDF – Kleines Fernsehspiel / Wood Water Films). Meanwhile, Max's third feature film BAHRI is already in the financing phase. In addition to producing feature films and documentaries, Max runs a story development lab in Mecklenburg-Vorpommern.
Assistant Director:
2020 Effigy: Poison and the City
Co-Director:
2020 Effigy: Poison and the City
2020 Nude Pictures
Director:
2015 Zuhause
2016 Gott liebt ein menschliches Weib
2016 Nicht ganz Reclam
2017 Endzeitstimmung
2017 Gib der Katze Milch
2017 Lava
2020 A Clear Felling
2020 Effigy: Poison and the City
2020 Nude Pictures
2022 Let's Kill
2023 Alaska
???? Bahri
???? Ping Pong
Editor:
2015 Zuhause
2016 Gott liebt ein menschliches Weib
2016 Nicht ganz Reclam
2017 Endzeitstimmung
2017 Gib der Katze Milch
2017 Lava
2019 Welt Unter
2020 A Clear Felling
2020 Effigy: Poison and the City
2020 Nude Pictures
2022 Let's Kill
2023 Alaska
???? Bahri
???? Ping Pong
Executive Producer:
2015 Zuhause
2016 Gott liebt ein menschliches Weib
2016 Nicht ganz Reclam
2017 Endzeitstimmung
2017 Gib der Katze Milch
2017 Lava
2019 Welt Unter
2020 A Clear Felling
2020 Effigy: Poison and the City
2020 Nude Pictures
2022 Let's Kill
2023 Alaska
2023 To Stand and Fall
???? Bahri
???? Ping Pong
Producer:
2015 Zuhause
2016 Gott liebt ein menschliches Weib
2016 Nicht ganz Reclam
2017 Endzeitstimmung
2017 Gib der Katze Milch
2017 Lava
2019 Welt Unter
2020 A Clear Felling
2020 Effigy: Poison and the City
2020 Nude Pictures
2022 Let's Kill
2023 Alaska
2023 Stille Sommer
2023 To Stand and Fall
2024 Infinite Place
???? Bahri
???? Pascals Reise ins Glück - Operation Germanenkind
???? Ping Pong
Screenplay:
2015 Zuhause
2016 Gott liebt ein menschliches Weib
2016 Nicht ganz Reclam
2017 Endzeitstimmung
2017 Gib der Katze Milch
2017 Lava
2019 Welt Unter
2020 A Clear Felling
2020 Effigy: Poison and the City
2020 Nude Pictures
2022 Let's Kill
2023 Alaska
2023 Stille Sommer
2023 To Stand and Fall
2024 Infinite Place
???? Bahri
???? Pascals Reise ins Glück - Operation Germanenkind
???? Ping Pong
Writer:
2015 Zuhause
2016 Gott liebt ein menschliches Weib
2016 Nicht ganz Reclam
2017 Endzeitstimmung
2017 Gib der Katze Milch
2017 Lava
2019 Welt Unter
2020 A Clear Felling
2020 Effigy: Poison and the City
2020 Nude Pictures
2022 Let's Kill
2023 Alaska
2023 Stille Sommer
2023 To Stand and Fall
2024 Infinite Place
???? Bahri
???? Pascals Reise ins Glück - Operation Germanenkind
???? Ping Pong
???? Tote Tiere
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.