A work in constant progress (and occasional regress).
Music:
2003 Elisabeth Kübler-Ross: Facing Death
Sound:
1987 Umbruch
2003 Elisabeth Kübler-Ross: Facing Death
2006 Hardcore Chambermusic
2007 Hans Josephsohn - Im Haus der Plastik
Sound Editor:
1987 Umbruch
1996 Sennen-Ballade
2000 Do It
2003 Elisabeth Kübler-Ross: Facing Death
2006 Hardcore Chambermusic
2007 Hans Josephsohn - Im Haus der Plastik
2016 Offshore: Elmer and the Swiss Bank Secrecy
2020 The New Gospel
Sound Mixer:
1986 Sepa: Our Lord of Miracles
1987 Umbruch
1996 Sennen-Ballade
1997 Meta-Mecano
2000 Do It
2003 Elisabeth Kübler-Ross: Facing Death
2003 Lucky Jack: Three Attempts to Stop Smoking
2005 Angry Monk - Reflections on Tibet
2006 Hardcore Chambermusic
2007 Hans Josephsohn - Im Haus der Plastik
2014 Watermarks - Three Letters from China
2016 Offshore: Elmer and the Swiss Bank Secrecy
2019 Passion - Between Revolt and Resignation
2020 The New Gospel
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.