A work in constant progress (and occasional regress).
Alias:
João Carlos Parreiras Horta
Assistant Camera:
1968 Brasilia, Contradictions of a New City
Camera Operator:
1968 BLABLABLÁ
1968 Brasilia, Contradictions of a New City
Cinematography:
1967 Ver Ouvir
1968 BLABLABLÁ
1968 Brasilia, Contradictions of a New City
1972 Semana de Arte Moderna
1973 O Picapau Amarelo
1974 Casa Grande e Senzala
1975 Espaço Sagrado
1975 Opération séduction
1975 Segunda-Feira
1976 Iaô: A iniciação num terreiro Gege Nagô
1977 Murilo Mendes: A Poesia em Pânico
1978 Diamante Bruto
1979 República dos Assassinos
1987 Deus é um Fogo
Director:
1967 Ver Ouvir
1968 BLABLABLÁ
1968 Brasilia, Contradictions of a New City
1969 Pixinguinha
1972 Semana de Arte Moderna
1973 O Picapau Amarelo
1974 Casa Grande e Senzala
1975 Espaço Sagrado
1975 Opération séduction
1975 Segunda-Feira
1976 Iaô: A iniciação num terreiro Gege Nagô
1977 Murilo Mendes: A Poesia em Pânico
1977 O Grande Circo Místico
1978 Diamante Bruto
1979 Lição De Piano
1979 Mira, um imigrante
1979 República dos Assassinos
1982 Perto de Clarice
1987 Deus é um Fogo
Director of Photography:
1967 A Public Opinion
1967 Ver Ouvir
1968 BLABLABLÁ
1968 Brasilia, Contradictions of a New City
1969 Pixinguinha
1971 Vida de Artista
1972 Semana de Arte Moderna
1973 O Picapau Amarelo
1974 Casa Grande e Senzala
1974 Um Homem Célebre
1975 Espaço Sagrado
1975 Opération séduction
1975 Segunda-Feira
1976 Iaô: A iniciação num terreiro Gege Nagô
1977 Academia Brasileira de Letras
1977 Murilo Mendes: A Poesia em Pânico
1977 O Grande Circo Místico
1978 Diamante Bruto
1979 Lição De Piano
1979 Mira, um imigrante
1979 República dos Assassinos
1982 Perto de Clarice
1982 The Secret of the Mummy
1984 Assaltaram a Gramática
1987 Deus é um Fogo
2004 Heliorama
2005 The Macabre Sarcophagus
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.