A work in constant progress (and occasional regress).
Birthplace:
Lima, Peru
Born:
May 31, 1985
Daniel Jacoby (1985; Lima, Peru) is a visual artist and filmmaker. His interest in the human condition has lead him to eccentric characters, places and stories, which he strives to approach from inventively tangential points of view. With a recurring use of abstraction, the result tends to be a personal and subjective exploration of topics like outsiderness, belonging, loneliness, friendship, desire and spirituality. His films have won awards at the International Film Festival Rotterdam, Videoex, Filmadrid, Curtocircuito and Lima Independiente, and have been screened at MoMA Doc Fortnight, Sheffield Doc/Fest, Les Rencontres Internationales, e-flux Screening Room, EMAF, Kurzfilmtage Oberhausen, Kasseler Dokfest, MIEFF, 25 FPS Zagreb and Jeonju IFF. His work has also been part of exhibitions at EYE Filmmuseum (Amsterdam), Fundació Joan Miró (Barcelona), The Banff Centre (Alberta), Palais de Tokyo (Paris), Delfina Foundation (London), Casino Luxembourg (Luxembourg) and Amsterdam Museum (Amsterdam).
Director:
2014 Ahold of Get the Things To
2016 Jagata
2018 Mountain Plain Mountain
2019 Nehemías
2021 No One Cried
2023 315
Director of Photography:
2014 Ahold of Get the Things To
2016 Jagata
2018 Mountain Plain Mountain
2019 Nehemías
2021 No One Cried
2023 315
Editor:
2014 Ahold of Get the Things To
2016 Jagata
2018 Mountain Plain Mountain
2019 Nehemías
2021 No One Cried
2023 315
Producer:
2014 Ahold of Get the Things To
2016 Jagata
2018 Mountain Plain Mountain
2019 Nehemías
2021 No One Cried
2023 315
Writer:
2014 Ahold of Get the Things To
2016 Jagata
2018 Mountain Plain Mountain
2019 Nehemías
2021 No One Cried
2023 315
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.