A work in constant progress (and occasional regress).
Christina Kyi was born in Myanmar but moved to the USA at an early age with her family. She studied filmmaking at the Gibbs School in New York City absorbing the culture of film in a city famous worldwide for its stars and movie culture. The skills she learned could have earned her a career in the US, but she felt drawn back to the country of her birth to tell the stories of her homeland. “Mudras Calling” is her first feature film and premiered in Myanmar cinemas March 2018. Her second feature film entitled “Deception,” was also shot in Myanmar and premiered in Myanmar cinemas January 2018.
Co-Executive Producer:
2018 Mudras Calling
Director:
2018 Deception
2018 Mudras Calling
2019 Now and Ever
Executive Producer:
2018 Deception
2018 Mudras Calling
2019 Now and Ever
Screenplay:
2018 Deception
2018 Mudras Calling
2019 Now and Ever
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.