A work in constant progress (and occasional regress).
Alias:
Mihai Gavril Dragolea
Mihai Gavril Dragolea (b. 1989) is a film director, screenwriter and cinematographer; he works and lives in Bucharest, Romania. Dragolea's documentaries focus on the world of the marginalized and those who are not represented in the media, trying to bring the viewer a new version of reality. His artistic practice aims at observational modes of expression, their use to generate empathy between the viewer and the social actors on the screen, through a direct involvement of the audience in the film. He is currently developing projects and working in the fields of cinematography and independent journalism, the last such project being focused on the COVID-19 pandemic, a web series called EuRoPandemic, which is broadcasted on the independent journalism platform dela0.ro. His films have participated in international festivals including: Docuart Fest, Bucharest (2015); One World Romania, Bucharest (2016); Jihlava International Film Festival (2017); Pärnu International Documentary Film Festival (2018); TIFF, Cluj-Napoca (2018, 2020); CREA Conference, Kathmandu (2019). In addition, he is working on a theoretical research that took the form of a doctoral dissertation, entitled "Representations of the marginal in the Romanian observational documentary" and teaches practical courses and seminars at the Faculty of Theater and Film, Department of Cinematography, Photography and Media. His films include: The Golden Robot 2015, produced by Vagabond Film; PhoeniXXX 2017, produced by Vagabond Film; One month of their life 2017, produced by dela0.ro and Totul pentru Riana 2020, produced by Vagabond Film and deFilm. His films have participated in international festivals including: Astra Sibiu International Film Festival, Sibiu, Jihlava International Documentary Film Festival, Jihlava, 2017, Beldocs International Documentary Film Festival, Belgrade, 2018, Parnu International Film Festival, RIga, 2018, Film broadcast at the international conference for women's rights CREA, Kathmandu, 2019, TIFF, Cluj Napoca, 2018, One World Romania Kine Dok selection, Bucharest, 2016, Film Festival of Independent Producers, Bucharest, 2016.
Cinematography:
2017 PhoeniXXX
Director:
2015 Golden Robot
2017 PhoeniXXX
2020 Everything for Riana
2022 Aurica, a Dog's Life
Director of Photography:
2015 Golden Robot
2017 PhoeniXXX
2020 Everything for Riana
2022 Aurica, a Dog's Life
Editor:
2015 Golden Robot
2017 PhoeniXXX
2020 Everything for Riana
2022 Aurica, a Dog's Life
Producer:
2015 Golden Robot
2017 PhoeniXXX
2020 Everything for Riana
2022 Aurica, a Dog's Life
Researcher:
2015 Golden Robot
2017 PhoeniXXX
2018 Palace for the People
2020 Everything for Riana
2022 Aurica, a Dog's Life
Screenplay:
2015 Golden Robot
2017 PhoeniXXX
2018 Palace for the People
2020 Everything for Riana
2022 Aurica, a Dog's Life
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.