Art Hall (b. 1981)

Birthplace:
Towson, Baltimore County, Maryland, United States

Born:
November 9, 1981

Art grew up in Pasadena, Maryland, and began to exhibit an interest in storytelling at an early age. From writing short stories and drawing comics in school, to programming story-driven games in QBasic, he was always fascinated with stories and entertaining people. As Art entered middle school, he took the family VHS camera and began making stop-motion films with his toys and short films with his neighborhood friends playing the roles.  It was not until he was cast in a high school production of "It's a Wonderful Life" that he discovered his love of theatre. After that show, Art went on to appear in nearly every production at Chesapeake High until his graduation. At the University of Maryland, he earned a Bachelor of Arts in Theatre Performance and appeared in numerous Theatre Department productions including "The Crucible", "SubUrbia", "Our Town", "Scapin", and "Standing on My Knees".  During the summer of 2002 while on break from college, the 20-year-old Art co-wrote/produced/starred and directed the independent feature-length comedy The Money Shot (2005), which has come to be seen as a film that is so-bad-it's-good. It's available on Amazon Prime Video if you want to see for yourself.  After moving to Los Angeles to pursue a career in the industry, Art continued to study performance at the Howard Fine Studio, and later completed the 2-year Meisner program with Neighborhood Playhouse veteran William Alderson. He also expanded his stage credits performing in productions with West Coast Ensemble, the Newport Theatre Arts Center, The Gallery Theatre in Anaheim, the LA One-Minute Play Festival, and the Open Fist Theatre Company.  As Art began to make a life for himself in Los Angeles, he took a strong interest in editing and audio. He co-created and hosted the podcast "That Was Disappointing..." and later began a second podcast, "Subversive Cinema", a show about off-the-beaten-path movies. He works for Disney Television Animation as a dialogue editor and when not working he spends time with his wife Ashley chasing their toddler son and two rescue dogs.

Additional information:

The Search Form


Director:
2005  The Money Shot

Editor:
2005  The Money Shot

Producer:
2005  The Money Shot
2023  Gap Weekend

Writer:
2005  The Money Shot
2023  Gap Weekend

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.